They might be drugs that alter the states of consciousness, or they might be states of transcendence reached in meditation. They might be moments of orgasm, or fugue states, or day-dreams that take you momentarily to a rewarding fantasy and escape from responsibility. All of these are treasures of the spirit or psyche that allow exploration along paths which are undefined and completely individual.

The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness. It is not like a drug; it is a particular state when everything happens very quickly, a mixture of consciousness and unconsciousness, of fear and pleasure, it's a little like making love, the physical act of love.

Consider this:1. Would you ride in a car whose driver was on the consciousness-expanding "entheogenic" drug LSD?And here's a bonus question:2. Why does an "expanded consciousness" include the inability to operate a motor vehicle?

Any time someone gives you drugs, the purpose is to subdue. Always. Whether it is from a dealer, a friend, your mother/brother/sister/son, or your government--especially your government--the intention is to subdue, and always to feed another motive. Why? Because in getting high, your power and your intellect are blunted. Can the motive ever be in your best interests? Governments notoriously use sex, drink, and drugs to subdue their people. Notoriously. And we're falling for it.

If a culture is good or evil, it is only because of its carriers.

Evil is ancient, unchanging, and with us always. The more postmodern the West becomes _ affluent, leisured, nursed on moral equivalence, utopian pacifism, and multicultural relativism _ the more premodern the evil among us seems to arise in nihilistic response.