Yet, despite all, it is a difficult thing to admit the existence of ghosts in a coldly factual world. One's very instincts rebel at the admission of such maddening possibility. For, once the initial step is made into the supernatural, there is no turning back, no knowing where the strange road leads except that it is quite unknown and quite terrible. ("Slaughter House")

You can get used to horror, he thought. When it has lost immediacy and is no longer pungent and has become a steady diet. When it has degraded to a chain of mind-numbing events. (__over When You're Near Me_)

Colorful characters are the odd shaped pieces that fill the holes in life's puzzle.

In the nineteenth century, The Romantics viewed Nature as benign, a glowing reflection of God's grace. Now we know better. Nature is brutal and, if it is feminine, she's not the kind of woman you can trust. Human beings may be her finest achievement yet, but when you get right down to brass tacks, we're meat. AIDS and organisms like streptococcus don't give a crap that we subdued the earth or produced a Shakespeare...

I have before suggested that a genuine blackguard is never without a pocket-handkerchief.

With riddles as black as coals, and answers as invisible as our past, I can only depend upon the crest of the rolling wave I now traversed; a romance worshiped only by the dreamer in us all, a psithurism of trust making its way through the years of our ascension to one day climb above the kaleidoscopic canopy of this mortal coil.