Richard Matheson

Yet, despite all, it is a difficult thing to admit the existence of ghosts in a coldly factual world. One's very instincts rebel at the admission of such maddening possibility. For, once the initial step is made into the supernatural, there is no turning back, no knowing where the strange road leads except that it is quite unknown and quite terrible. ("Slaughter House")

You can get used to horror, he thought. When it has lost immediacy and is no longer pungent and has become a steady diet. When it has degraded to a chain of mind-numbing events. (__over When You're Near Me_)

How shall I typify what happened? Passion play? Somewhat. Weird tale? Indubitably. Horror story? Pretty close. Grotesque melodrama? Certainly. Black comedy? Your point of view will determine that. Perhaps it was a combination of them all... So, to the story. A chronicle of greed and cruelty, horror and rapacity, sadism and murder. Love, American style.

There seemed no answer. He wasn't resigned to anything, he hadn't accepted or adjusted to the life he'd been forced into. Yet here he was, eight months after the plague's last victim, nine since he's spoken to another human being, ten since Virginia had died. Here he was with no future and a virtually hopeless present. Still plodding on.Instinct? Or was he just stupid? Too unimaginative to destroy himself? Why hadn't he done it in the beginning when he was in the very depths? What had impelled him to enclose the house, install a freezer, a generator, an electric stove, a water tank, build a hothouse, a workbench, burn down the houses on each side of his, collect records and books and mountains of canned supplies, even - it was fantastic when you thought about it - even put a fancy mural on the wall?Was the life force something more than words, a tangible, mind-controlling potency? Was nature somehow, in him, maintaining its spark against its own encroachments?He closed his eyes. Why think, why reason? There was no answer. His continuance was an accident and an attendant bovinity. He was just too dumb to end it all, and that was about the size of it.

_They think of suicide as a quick route to oblivion, an escape. Far from it. It merely alters a person from one form to another. Nothing can destroy the spirit. Suicide only precipitates a darker continuation of the same conditions from which escape was sought. A condition under circumstances so much more painful.

Thank you...for gracing my life with your lovely presence, for adding the sweet measure of your soul to my existence.

After a while, though, even the deepest sorrow faltered, even the most penetrating despair lost its scalpel edge.

All of us have a path to follow and the path begins on earth.

He took the woman from her bed, pretending not to notice the question posed in his mind: Why do you always experiment on women? He didn't care to admit that the inference had any validity. She just happened to be the first one he's come across, that was all. What about the man in the living room, though? For God's sake! he flared back. I'm not going to rape the woman!Crossing your fingers, Neville? Knocking on wood?He ignored that, beginning to suspect his mind of harboring an alien. Once he might have termed it conscience. Now it was only an annoyance. Morality, after all, had fallen with society. He was his own ethic.Makes a good excuse, doesn't it, Neville? Oh, shut up.

Perhaps jungle life, despite physical danger, was a relaxing one. Surely it was free of the petty grievances, the disparate values of society. It was simple, devoid of artifice and ulcer-burning pressures.

Miniture protoplasm, the dirty little bastard!

This, he knew, was courage, the truest, ultimate courage, because there was no one here to sympathize or praise him for it. What he felt was felt without the hope of commendation.

But are his needs any more shocking than the needs of any other animals and men? Are his deeds more outrageous than the deeds of the parent who drained the spirit from his child? The vampire may foster quickened heartbeats and levitated hair. But is he worse than the parent who gave to society a neurotic child who became a politician? Is he worse than the manufacturer who set up belated foundations with the money he made by handing bombs and guns to suicidal nationalists? Is he worse than the distiller who gave bastardized grain juice to stultify further the brains of those who, sober, were incapable of progressive thought? (Nay, I apologize for this calumny; I nip the brew that feeds me.) Is he worse, then, than the publisher who filled ubiquitous racks with lust and death wishes? Really, no, search your soul, lovie--is the vampire so bad?

He kept thinking about Mary. What a fool he'd been to let her go. To think, with the thoughtless assurance of youth, that the world was replete with endless possibilities. He'd thought it a mistake to choose so early in life and embrace the present good. He'd been a great one for looking for greener pastures. He'd kept looking until all his pastures were brown with time. ("Old Haunts")

But it was hard to keep his hands still. He could almost feel them twitching emphatically with his strong desire to reach out and stroke the dog's head. He had such a terrible yearning to love something again, and the dog was such a beautiful ugly dog.

It was more than a spider. It was every unknown terror in the world fused into wriggling, poison-jawed horror. It was every anxiety, insecurity, and fear in his life given a hideous, night-black form.

It was a fairy tale, no fooling. It was unreality becoming real. This frightened her. Because people don't care for unreality becoming real. It pricks their well-fed minds, you see, with something like a hunger pang. They prefer the logical stuffiness of expectancy. It is only at certain times that they weaken, letting imagination in. That's the time to get them. (__he Disinheritors_)

He stood there for a moment looking around the silent room, shaking his head slowly. All these books, he thought, the residue of a planet's intellect, the scrapings of futile minds, the leftovers, the potpourri of artifacts that had no power to save men from perishing.