It is this outer reach of existential abnegation _ the moment where subjective identity deserts itself and becomes enslaved without consciousness of its subjugated condition _ that Mirbeau consistently sought to decry with horror.

The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.

The good man is free, even if he is a slave. The evil man is a slave, even if he is a king.

I think it doesn__ matter if you or I or anybody else thinks homosexuality is a sin. It doesn__ matter if you or I think anything is a sin. It doesn__ matter if homosexuality is a sin or not. In fact, it doesn__ matter if anything anybody else does is a sin or not.Because sin is a very personal thing! It always has been and it always will be!And it has nothing to do with love.

I refused to teach Sunday school. When Archdeacon Henry Phillips, my last rector, died, I flatly refused again to join any church or sign any church creed. From my 30th year on I have increasingly regarded the church as an institution which defended such evils as slavery, color caste, exploitation of labor and war.

Man is the bridge of good as much as evil. He hurts and he loves. He divides and he unites. He destroys and he rebuilds. He kills and he saves lives. Yet, he denies or pretends that he does not know the other side of him. He only knows of himself as the protagonist, the righteous, and the honorable one. Others, who do not belong to his fold, are the villains, the devils, and the low-life beings. Ironically, the less he knows of his other self the more he becomes what he derides and denigrates. He is the tragic paradox of what he claims to be despite the evidence of his action that proves otherwise. (Danny Castillones Sillada, Man: The Paragon of All Paradoxes)