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Ana was a perpetual victim in a never-ending search for a victimizer.
Travis Luedke The Nightlife: Las Vegas
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Ana was a perpetual victim in a never-ending search for a victimizer.
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Travis Luedke

The Nightlife: Las Vegas

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One should let one's nails grow for a fortnight. O, how sweet it is to drag brutally from his bed a child with no hair on his upper lip and with wide open eyes, make as if to touch his forehead gently with one's hand and run one's fingers through his beautiful hair. Then suddenly, when he is least expecting it, to dig one's long nails into his soft breast, making sure, though, that one does not kill him; for if he died, one would not later be able to contemplate his agonies. Then one drinks his blood as one licks his wounds; and during this time, which ought to last for eternity, the child weeps.

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For its survival, the satanic cult demanded secrecy and obedience while it made brutality, even killing, appropriate. Denial and disavowal were inevitable responses to required behaviors so bizarre as to seem unreal, even to those who enacted them. What they could not deny or disavow, they could distort. They could blame the victims, who deserved to die for fighting or crying or for failing to fight or cry. They found encouragement for such a stance in a general culture accustomed to blaming victims for their misfortunes, and in specific contact with child victims eager to blame themselves. By believing that victims had a choice when there was none, they could see victims as culpable. They could even see the deaths as right and purposeful in the nobility of sacrifice.

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