Horror immobolizes us because it is made of contradictory feelings: fear and seduction, repulsion and attraction. Horror is a fascination...Horror is immobility, the great yawn of empty space, the womb and the hole in the earth, the universal Mother and the great garbage heap...With horror we cannot have recourse to flight or combat, there remains only Adoration or Exorcism.

This book's like black holes. It really engulfes you whole.

Had Moreau had any intelligible object, I could have sympathized at least a little with him. I am not so squeamish about pain as that. I could have forgiven him a little even, had his motive been only hate. But he was so irresponsible, so utterly careless! His curiosity, his mad, aimless investigations, drove him on; and the Things were thrown out to live a year or so, to struggle and blunder and suffer, and at last to die painfully.

The Earth was not dead. She had been sick, yes, weakened by an infestation. Now she was ridding herself of it. For those who remained alive the choice was a simple one, whether they realised it yet or not: Work with the land-- respect it and give back to it-- or die.

He was following the Earth through its days, drifting with the rhythms of its myriad pulses, seeping through the webs of its life, swelling with its tides, turning with its weight.

[Some scientific] experiments_tell us that what we consider the objective world depends in some measure on our own conscious processes. There is no fixed eternal reality_ true understanding is not to be achieved with the rational mind.