David Ebershoff

Anna's voice wasn't a beautiful voice - rough edged and sorrowful, a bit used, somehow male and female at once. Yet it had more vibrancy to it than most Danish voices, which were often thin and white and too pretty to trigger a shiver. Anna's voice had the heat of the south; it warmed Einar, as if her throat were red with coals.

The agony of martyrdom is almost too much to bear. In the early hours, when the loss is fresh, there is no comfort in knowing Glory will live on. We speak of the martyrs in History but we cannot know the actual pain they suffered in their final living hours. They enter the realm of the mythic, but we must never forget these were men like ourselves. When their flesh is torn, they cry out. They suffer as you or I would suffer, although more bravely. Remember Christ. Although I am now an enemy to Joseph's legacy, I shudder when recalling his pain.

We are born, we live, we disappear. One of the chilling aspects of history is the swiftness with which it carries us into oblivion.

Even the most meticulous historians work subjectively. The historian's point of view, his or her selection of subject and sources, the emphasis, the tone - all of these lead to subjective history, inevitably so. I do not say this as a criticism, merely as an observation.

Anna's voice wasn't a beautiful voice - rough edged and sorrowful, a bit used, somehow male and female at once. Yet it had more vibrancy to it than most Danish voices, which were often thin and white and too pretty to trigger a shiver. Anna's voice had the heat of the south; it warmed Einar, as if her throat were read with coals.

My duty, I know, is to lead. I cannot offer an array of options. I must offer a long but narrow path to Salvation, and guide the Saints down it. Were that path wide and varied, it would lead nowhere; and I will then have failed both God and man.