Ellen Barkin

But one of the hardest things for me to do was to access anger. I could do it on stage. But when I did it on film it was hard for me. That probably has to do with the intimacy of film. And my own personal issues with expressing anger. So I had to learn how to do that.

It is clear I was never the Pretty Girl. I had my two front teeth knocked out when I was 10 and didn't fix them until I was 19. I have a crooked smile and a nose that looks like it's been broken 12 times but never has been. My nose was always red, so people called me Rudolph. My whole face is off-center.

The way Hollywood portrays mothers - you're either all good and saint-like, or you're all bad. And I think the real honesty of motherhood is not given a voice in movies. I miss that as an audience member.

You've got a movie where the pro-choice family gives their daughter no choice. The pro-life family murders. What seems to be the good mother, the kind of hippie painter, sweet and cute mother has no love for her daughter really.

I'm not limited by my gender, and I don't think anyone else should be either. Because I am the age I am and I sort of rode the crest of the first profound post-suffragette feminists, I wasn't fighting to burn my bra. Those women fought that fight just seconds before I came into womanhood.

Men who love their mothers treat women wonderfully. And they have enormous respect for women.