Francis A. Schaeffer

Christians . . . ought not to be threatened by fantasy and imagination. Great painting is not "photographic": think of the Old Testament art commanded by God. There were blue pomegranates on the robes of the priest who went into the Holy of Holies. In nature there are no blue pomegranates. Christian artists do not need to be threatened by fantasy and imagination, for they have a basis for knowing the difference between them and the real world "out there." The Christian is the really free person--he is free to have imagination. This too is our heritage. The Christian is the one whose imagination should fly beyond the stars.

What a Christian portrays in his art is the totality of life. Art is not to be a vehicle for self-conscious evangelism. Christians ought not to be threatened by fantasy and imagination. The Christian is the really free man. He is free to have imagination.

The ancients were afraid that if they went to the end of the earth they would fall off and be consumed by dragons. But once we understand that Christianity is true to what is there, true to the ultimate environment - the infinite, personal God who is really there - then our minds are freed. We can pursue any question and can be sure that we will not fall off the end of the earth.

Sweeping out of the inward positive reality, there is to be a positive manifestation externally. It is not just that we are dead to certain things, but we are to love God, we are to be alive to Him, we are to be in communion with Him, in this present moment of history. And we are to love men, to be alive to men as men, and to be in communication on a true personal level with men, in this present moment of history.

We are not being true to the artist as a man if we consider his art work junk simply because we differ with his outlook on life. Christian schools, Christian parents, and Christian pastors often have turned off young people at just this point. Because the schools, the pastors, and the parents did not make a distinction between technical excellence and content, the whole of much great art has been rejected with scorn and ridicule. Instead, if the artist's technical excellence is high, he is to be praised for this, even if we differ with his world view. Man must be treated fairly as man.

There is no New Testament basis for a linking of church and state until Christ, the King returns. The whole "Constantine mentality" from the fourth century up to our day was a mistake. Constantine, as the Roman Emperor, in 313 ended the persecution of Christians. Unfortunately, the support he gave to the church led by 381 to the enforcing of Christianity, by Theodosius I, as the official state religion. Making Christianity the official state religion opened the way for confusion up till our own day. There have been times of very good government when this interrelationship of church and state has been present. But through the centuries it has caused great confusion between loyalty to the state and loyalty to Christ, between patriotism and being a Christian. We must not confuse the Kingdom of God with our country. To say it another way: "We should not wrap our Christianity in our national flag.

To the extent that anyone gives up the mentality of antithesis, he has moved over to the other side, even if he still tries to defend orthodoxy or evangelicalism. If Christians are to take advantage of the death of romanticism, we must consciously build back the mentality and practice of antithesis among Christians in doctrine and life. We must do it in our teaching and example toward compromise, both ecclesiastically and in evangelism. To fail to exhibit that we take truth seriously at these points where there is a cost in doing so, is to push the next generation into the relative, dialectical millstream that surrounds us.

Christian art today should be twentieth-century art.

In God's world the individual counts. Therefore, Christian art should deal with the individual.

A Christian should use these arts to the glory of God, not just as tracts, mind you, but as things of beauty to the praise of God. An art work can be a doxology in itself.

The Christian in the one whose imagination should fly beyond the stars.

How should an artist begin to do his work as an artist? I would insist that he begin his work as an artist by setting out to make a work of art.

We must realize that the Reformation world view leads in the direction of government freedom. But the humanist world view with inevitable certainty leads in the direction of statism. This is so because humanists, having no god, must put something at the center, and it is inevitably society, government, or the state.

The basic problem of the Christians in this country in the last eighty years or so, in regard to society and in regard to government, is that they have seen things in bits and pieces instead of totals.

We may not play with the new theology even if we may think we can turn it to our advantage.

The Cross of Christ is to be a reality to me not only once for all at my conversion, but all through my life as a Christian. True spirituality does not stop at the negative (death), but without the negative - in comprehension and in practice - we are not ready to go on.

As my son Frankie put it, Humanism has changed the Twenty-third Psalm: They began - I am my shepherd. Then - Sheep are my shepherd. Then - Everything is my shepherd. Finally - Nothing is my shepherd.

The ironic fact is that humanism which began with man's being central eventually had no real meaning for people. On the other hand, if one begins with the Bible's position that man is created by God and in the image of God, there is a basis for that person's dignity.