Joe McNally

I slid down in the seat and began to weep. I wept for her, for me, but mostly because the siren call of my first big story with a yellow border around it was more powerful than the call of fatherhood.

Technology has eliminated the basement darkroom and the whole notion of photography as an intense labor of love for obsessives and replaced them with a sense of immediacy and instant gratification.

You__e gotta taste the light, like my friend and fellow shooter Chip Maury says. And when you see light like this, trust me, it__ like a strawberry sundae with sprinkles.

A professor I had in college used to tell me that if someone won__ listen to what you have to say because you__e not wearing a tie, then put on a tie, __ause what you have to say is more important than not wearing a tie. He was right.

Unpredictability. Accidents. Not good when you__e engaging in, say, brain surgery, but when lighting...wonderful!

When I was in school, I wanted to be W. Eugene Smith. He was a legendary staffer at Life, a consummate photojournalist, and an architect of the photo essay. He was also kinda crazy.That was obvious when he came to lecture at Syracuse University and put a glass of milk and a glass of vodka on the lectern. Both were gone at the end of the talk. He was taking questions and I was in the front row, hanging on every word.Mr. Smith, is the only good light available light?_ came the question.He leaned into the microphone. __es,_ he baritoned, and paused.A shudder ran through all of us. That was it! No more flash! God__ light or nothing!But then he leaned back into the mic, __y that, I mean, any &*%%@$ light that__ available.__oint taken.

No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body, and will, all the shouldas, couldas, and wouldas that befuddle our brains and creep into our dreams, always remember to make room to shoot what you love. It__ the only way to keep your heart beating as a photographer.

Jay Maisel always says to bring your camera, __ause it__ tough to take a picture without it. Pursuant to the above aforementioned piece of the rule book, subset three, clause A, paragraph four would be_use the camera.Put it to your eye. You never know. There are lots of reasons, some of them even good, to just leave it on your shoulder or in your bag. Wrong lens. Wrong light. Aaahhh, it__ not that great, what am I gonna do with it anyway? I__l have to put my coffee down. I__l just delete it later, why bother? Lots of reasons not to take the dive into the eyepiece and once again try to sort out the world into an effective rectangle.It__ almost always worth it to take a look.

John Loengard, the picture editor at Life, always used to tell me, __f you want something to look interesting, don__ light all of it.

Don__ pack up your camera until you__e left the location.