To the left, just past the painting, on the other side of the hall, is the bathroom, the sort of open door that if cameras found it as they passed through the house in a horror movie would trigger a blast of synthesizers.
Author
John Darnielle
/john-darnielle-quotes-and-sayings
Author Summary
About John Darnielle on QuoteMust
John Darnielle currently has 30 indexed quotes and 3 linked works on QuoteMust. This page is the canonical destination for that author archive.
Works
Books and titles linked to this author
Quotes
All quote cards for John Darnielle
Dark, primitive magic. Swords Against Death.
My grief sought out all parts of my body it hadn't yet inhabited, and I felt like I might collapse in on myself right there, at last, spectacularly
Their boots were black and shiny and your treasures gleamed like stars,Bones from deep down in the fertile crescent.
Cool parents, I thought, are the ones who know nothing. It made me feel a little sad for mine, but I didn't say any of this.
If you work with or around children, you often hear a lot about how resilient they are. It's true; I've met children who've been through things that would drive most adults to the brink. They look and act, most of the time, like any other children. In this sense _ that they don't succumb to despair, that they don't demand a space for their pain _ it's very true that children are resilient. But resiliency only means that a thing retains its shape. That it doesn't break, or lose its ability to function. It doesn't mean a child forgets the time she shared in the backyard with her mother gardening, or the fun they had together watching Bedknobs and Broomsticks at the Astro. It just means she learns to bear it. The mechanism that allowed Lisa Sample to keep her head above water in the wak of her mother's departure has not been described or cataloged by scientists. It's efficient, and flexible, and probably transferable from one person to another should they catch the scent on each other. But the rest of the details about it aren't observable from the outside. You have to be closer than you really want to get to see how it works.
It__ hard to describe, this feeling of seeing your kids spending time together like adults, meeting up again after being out there in the world like free agents. There__ something giddy and unreal about it. I knew that boy when he was afraid of strangers. I knew them both before they knew how to talk.
The wind comes across the plains not howling but singing. It's the difference between this wind and its big-city cousins: the full-throated wind of the plains has leeway to seek out the hidden registers of its voice. Where immigrant farmers planted windbreaks a hundred and fifty years ago. it keens in protest; where the young corn shoots up, it whispers as it passes, crossing field after field in its own time, following eastward trends but in no hurry to find open water. You can't usually see it in paintings, but it's an important part of the scenery.
And when the clouds do clear awayGet a momentary chance to seeThe thing I've been trying to beat to deathThe soft creature that I used to beThe better animal I used to be
It's in the nature of the landscape to change, and it's in the nature of people to help the process along...
When you punish a person for dreaming his dreamDon't expect him to thank or forgive you.
Opera combines pretty basic theater and poetry, but the storyline itself is actually quite poetic and, after some digital research, taking that actual content and seeing it as undeniably poetic.
My father would tell me if I wasn't writing in meter verse, it wasn't poetry.
I was writing poetry, and the Mountain Goats was an outgrowth of that.
Metal isn't necessarily aggressive. There's metal that's contemplative, there's metal that's sad, and there's metal that's exuberant. No genre is limited in what it can express.
Most of my interests in terms of writing are dark, so it's discordant how much I try to lock into the vibe of wherever I'm at. Inhabiting the life of the imagination is the nature of survival strategy - you build yourself little worlds to enjoy.
I think 'The Sunset Tree' is really the album on which I really learned to trust other musicians, which is so important.
My feminism is what came squarely up against my faith. There's a lot of ecstatic post-patriarchal Christians who have stuff they do with that. But at that point, you're doing Christianity with a double-superscript. The Bible, and especially the book of Genesis, is pretty unapologetically patriarchal.