John Fowles

The river of life, of mysterious laws and mysterious choice, flows past a deserted embankment; and along that other deserted embankment Charles now begins to pace, a man behind the invisible gun carriage on which rests his own corpse. He walks towards an imminent, self-given death? I think not; for he has at which to build; has already begun, though he would still bitterly deny it, thought there are tears in his eyes to support his denial, to realize that life, however advantageously Sarah may in some ways seem to fit the role of Sphinx, is not a symbol, is not one riddle and one failure to guess it, is not to inhabit one face alone or to be given up after one losing throw of the dice; but is to be, however inadequately, emptily, hopelessly into the city's iron heart, endured. And out again, upon the unplumb'd, salt, estranging sea.

We talked for hours. He talked and I listened. It was like wind and sunlight. It blew all the cobwebs away.

People won't admit it, they're too busy grabbing to see that the lights have fused. They can't see the darkness and the spider-face beyond and the great web of it all. That there's always this if you scratch at the surface of happiness and goodness.The black and the black and the black.

If there is a God he's a great loathsome spider in the darkness.

Her stare fixed me. Without rancour and without regret; without triumph and without evil; as Desdemona once looked back on Venice. On the incomprehension, the baffled rage of Venice. I had taken myself to be in some way the traitor Iago punished, in an unwritten sixth act. Chained in hell. But I was also Venice; the state left behind; the thing journeyed from.

Think what it would be like if you got back to your island and there was no old man, no girl any more. No mysterious fun and games. The whole place locked up forever.

I needed a new mystery.

I was worse off than even Alison was; she hated life, I hated mysef. I had created nothing, I belonged to nothingness, to the néant, and it seemed to me that my own death was the only thing left that I could create.

He had the charm of all people who believe implicitly in themselves, that of integration.

A mixture, before the English, of irritation and bafflement, of having this same language, same past, so many same things, and yet not belonging to them any more. Being worse than rootless... speciesless.

I suppose I'd had, by the standards of that pre-permissive time, a good deal of sex for my age. Girls, or a certain kind of girl, liked me; I had a car-not so common among undergraduates in those days-and I had some money. I wasn't ugly; and even more important, I had my loneliness, which, as every cad knows, is a deadly weapon with women. My 'technique' was to make a show of unpredictability, cynicism, and indifference. Then, like a conjurer with his white rabbit, I produced the solitary heart.

But he was absolutely alone. No one ever wrote to him. Visited him. Totally alone. And I believe the happiest man I have ever met.

Wolves don't hunt singly, but always in pairs. The lone wolf was a myth.

Perhaps twenty minutes later he realized she had gone to sleep. He quietly removed his now stiff arm, then turned away. It must have woken her a little After a moment he felt her turn as well and lay a hand, instinctively, like a sleeping wife, across his hips; as if, in some dream, he was the one who escaped.

Men love war because it allows them to look serious. Because they imagine it is the only thing that stops women laughing at them. In it they can reduce women to the status of objects. That is the great distinction between the sexes. Men see objects, women see relationships between objects. Whether the objects need each other, love each other, match each other. It is an extra dimension of feeling we men are without and one that makes war abhorrent to all real women - and absurd. I will tell you what war is. War is a psychosis caused by an inability to see relationships.

She smiled at him as they waited for their dessert, her chin poised on her clasped hands.'You're being very silent.''That's how men cry.

Each death laid a dreadful charge of complicity on the living; each death was incongenerous, its guilt irreducible, its sadness immortal; a bracelet of bright hair about the bone. I did not pray for her, because prayer has no efficacy; I did not cry for her, because only extroverts cry twice; I sat in the silence of that night, that infinite hostility to man, to permanence, to love, remembering her, remembering her.

A word (...) is never the destination, merely a signpost in its general direction; and whatever (...) body that destination finally acquires owes quite as much to the reader as to the writer.