Laura Riding Jackson

Take hands.There is no love now.But there are hands.There is no joining now,But a joining has beenOf the fastening of fingersAnd their opening.More than the clasp even, the kissSpeaks loneliness,How we dwell apart,And how love triumphs in this.

The Sad Boy Ay, his old mother was a glad one.And his poor old father was a mad one.The two begot this sad one.Alas for the single shoeThe Sad Boy pulled out of the rank green pond,Fishing for fairiesOn the prankish adviceOf two disagreeable lovers of small boys.Pity the unfortunate Sad BoyWith a single magic shoeAnd a pair of feetAnd an extra footWith no shoe for it.This was how the terrible hopping beganThat wore the Sad Boy thin and throughTo his only shoeAnd started the great fright in the provinces above BrentWhere the Sad Boy became half of himselfTo match the beautiful bootHe had dripped from the green pond.Wherever he went weeping and hoppingAnd stamping and sobbing,Pounding a whole earth into a half-heaven,Things split where he stoodInto the left side for the left magic,Into no side for the missing right boot.Mercy be to the Sad BoyScamping exasperatedAfter a wide bootTo double the magicOf a limping foot.Mercy to the melancholy folkOn the Sad Boy's right.It was not for want of wanderingHe lost the left boot tooAnd the knowledge of his left side,But because one awful SundayThis dear boy dislimbedWent back to the old pondTo fish up another shoeAnd was quickly (being too light for his line)Fished in.Gracious how he kicks nowAll the little ripples up!The quiet population of Brent has settled down,And the perfect surface of the famous pondIs slightly pocked, marked with three signs,For visitors come to fish for souvenirs,Where the Sad Boy went inAnd his glad mother and his mad father after him.