Martha Graham

I never set out to create a technique. I started out on the floor to find myself, to find what the body could do, and what would give me satisfaction - emotionally, dramatically and bodily. But I did not ever dream of establishing a technique. I still can't believe anything like that happened.

Nobody cares if you can't dance well. Just get up and dance. Great dancers are great because of their passion.

There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all time, this expression is unique. And if you block it, it will never exist through any other medium and will be lost.

There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open. You do not even have to believe in yourself or your work. You have to keep yourself open and aware to the urges that motivate you. Keep the channel open. ... No artist is pleased. [There is] no satisfaction whatever at any time. There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others

There is a vitality, a life force, a quickening that is translated through you into action,__nd because there is only one of you in all time, this expression is unique. __nd if you block it, it will never exist through any other medium and be lost. __he world will not have it. __t is not your business to determine how good it is, nor how valuable it is, nor how it compares with other expressions. __t is your business to keep it yours clearly and directly, to keep the channel open. __ou do not even have to believe in yourself or your work. __ou have to keep open and aware directly to the urges that motivate you. __eep the channel open.

I have heard stories that it was love at first sight for both of us, that we disappeared to a guest room at Merle's house, had our meals sent up, and didn't emerge for several days. This is absolutely untrue. I would never behave like that as a guest in someone's home. Carlos and I went to my beach house.

There is only one of you in all time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost.

I believe that we learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. In each, it is the performance of a dedicated precise set of acts, physical or intellectual, from which comes shape of achievement, a sense of one's being, a satisfaction of spirit. One becomes, in some area, an athlete of God. Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.

Some men have thousands of reasons why they cannot do what they want to, when all they need is one reason why they can.

Fire is the test of gold; adversity, of strong men.

The body is your instrument in dance, but your art is outside that creature, the body.

Practice means to perform, over and over again in the face of all obstacles, some act of vision, of faith, of desire. Practice is a means of inviting the perfection desired.

The body is a sacred garment.

There is a vitality, a life force, an energy, a quickening, that is translated through you into action, and because there is only one of you in all time, this expression is unique.

We learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. One becomes in some area an athlete of God.

'Age' is the acceptance of a term of years. But maturity is the glory of years.

I did not want to be a tree, a flower or a wave. In a dancer's body, we as audience must see ourselves, not the imitated behavior of everyday actions, not the phenomenon of nature, not exotic creatures from another planet, but something of the miracle that is a human being.

To me, a building - if it's beautiful - is the love of one man, he's made it out of his love for space, materials, things like that.