They had been talking about his friend Z. when she announced, "If I hadn't met you, I'd certainly have fallen in love with him."Even then, her words had left Tomas in a strange state of melancholy, and now he realized it was only a matter of chance that Tereza loved him and not his friend Z. Apart from her consummated love for Tomas, there were, in the realm of possibility, an infinite number of unconsummated loves for other men. We all reject out of hand the idea that the love of our life may be something light or weightless; we presume our love is what must be, that without it our life would no longer be the same; we feel that Beethoven himself, gloomy and awe-inspiring, is playing the "Es muss sein!" to our own great love.Tomas often thought of Tereza's remark about his friend Z. and came to the conclusion that the love story of his life exemplified not "Es muss sein!" (It must be so), but rather "Es konnte auch anders sein" (It could just as well be otherwise).
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Milan Kundera
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The idea of eternal return is a mysterious one, and Nietzsche has often perplexed other philosophers with it: to think that everything recurs as we once experienced it, and that the recurrence itself recurs ad infinitum! What does this mad myth signify?
There was not a scrap of tangible evidence to show that he had spent the most wonderful year of his life with her.Which only increased his desire to remain faithful to her.
What we have not chosen we cannot consider either to our merit or our failure.
why does Anna Karenina kill herself? the answer seems clear enough: for years people in her world have turned away from her; she is suffering at the separation from her son, Seryozha; even if Vronsky still loves her, she fears for that love; she is exhausted with it, overexcited, unwholesomely (and unjustly) jealous; she feels trapped. Yes, all that is clear; but is a trapped person necessarily doomed to suicide? So many people adapt to living in a trap! Even if we understand the depth of her sorrow, Anna's suicide remains an enigma.
Do you think that a doe in the jaws of a tiger feels less horror than you? People thought up the idea that animals don't have the same capability for suffering as humans, because otherwise they couldn't bear the knowledge that they are surrounded by a world of nature that is horror and nothing but horror." Paul was pleased that man was gradually covering the whole earth with concrete. It was as if he were watching a cruel murderess being walled up.
Is not an event in fact more significant and noteworthy the greater the number of fortuities necessary to bring it about? ... Everything that occurs out of necessity, everything expected, repeated day in and day out, is mute. Only chance can speak to us.
The children laughing without knowing why - isn't that beautiful?
Do stories, apart from happening, being, have something to say? For all my skepticism, some trace of irrational superstition did survive in me, the strange conviction, for example, that everything in life that happens to me also has a sense, that it means something, that life speaks to us about itself through its story, that it gradually reveals a secret, that it takes the form of a rebus whose message must be deciphered, that the stories we live compromise the mythology of our lives and in that mythology lies the key to truth and mystery. Is it an illusion? Possibly, even probably, but I can__ rid myself of the need continually to decipher my own life.
Who was the real me? I can only repeat: I was a man of many faces.At meetings I was earnest, enthusiastic, and committed; among friends, unconstrained and given to teasing; with Marketa, cynical and fitfully witty; and alone (and thinking of Marketa), unsure of myself and as agitated as a schoolboy.Was the last face the real one?No. They were all real: I was not a hypocrite, with one real face and several false ones. I had several faces because I was young and didn__ know who I was or wanted to be. (I was frightened by the differences between one face and the next; none of them seemed to fit me properly, and I groped my way clumsily among them.)
He was no longer quite sure whether anything he had ever thought or felt was truly his own property, or whether his thoughts were merely a common part of the world__ store of ideas which had always existed ready-made and which people only borrowed, like books from a library.
We will never remember anything by sitting in one place waiting for the memories to come back to us of their own accord! Memories are scattered all over the world. We must travel if we want to find them and flush them from their hiding places!
By revealing to Tomas her dream about jabbing needles under her fingernails, Tereza unwittingly revealed that she had gone through his desk. If Tereza had been any other woman, Tomas would never have spoken to her again. Aware of that, Tereza said to him, Throw me out! But instead of throwing her out, he seized her hand and kissed the tips of her fingers, because at that moment he himself felt the pain under her fingernails as surely as if the nerves of her fingers led straight to his own brain.Anyone who has failed to benefit from the Devil__ gift of compassion (co-feeling) will condemn Tereza coldly for her deed, because privacy is sacred and drawers containing intimate correspondence are not to be opened. But because compassion was Tomas__ fate (or curse), he felt that he himself had knelt before the open desk drawer, unable to tear his eyes from Sabina__ letter. He understood Tereza, and not only was he incapable of being angry with her, he loved her all the more.
for there is nothing heavier than compassion. Not even one's own pain weighs so heavy as the pain one feels with someone, for someone, a pain intensified by the imagination and prolonged by a hundred echoes.
Even painful memories are ties that bind.
At a time when history made its way slowly, the few events were easily remembered and woven into a backdrop, known to everyone, before which private life unfolded the gripping show of its adventures. Nowadays, time moves forward at a rapid pace. Forgotten overnight, a historic event glistens the next day like the morning dew and thus is no longer the backdrop to a narrator's tale but rather an amazing adventure enacted against the background of the over-familiar banality of private life.
The more vast the amount of time we've left behind us, the more irresistible is the voice calling us to return to it. This pronouncement seems to state the obvious and yet it is false. Men grow old, the end grows near, each moment becomes more and more valuable and there is no time to waste on recollection. It's important to understand the mathematical paradox in nostalgia, that it is most powerful in early youth , when the volume of life that has passed is quite small.
The assassination of Allende quickly covered over the memory of the Russian invasion of Bohemia, the bloody massacre in Bangladesh caused Allende to be forgotten, the din of war in the Sinai Desert drowned out the groans of Bangladesh, the massacres in Cambodia caused the Sinai to be forgotten, and so on, and on and on, until everyone has completely forgotten everything.