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Author

Søren Kierkegaard

/soren-kierkegaard-quotes-and-sayings

138 Quotes
19 Works

Author Summary

About Søren Kierkegaard on QuoteMust

Søren Kierkegaard currently has 138 indexed quotes and 19 linked works on QuoteMust. This page is the canonical destination for that author archive.

Works

Books and titles linked to this author

Attack upon Christendom Concluding Unscientific Postscript Either/Or Either/Or, Part I Either/Or: A Fragment of Life Fear and Trembling Journals and Papers, Vol 1: A-E Practice in Christianity Present Age & Of the Difference Between a Genius & an Apostle Provocations: Spiritual Writings of Kierkegaard Purity of Heart is to Will One Thing: Spiritual Preparation for the Office of Confession Repetition and Philosophical Crumbs Stages on Life's Way The Concept of Anxiety: A Simple Psychologically Orienting Deliberation on the Dogmatic Issue of Hereditary Sin The Diary Of Soren Kierkegaard The Journals of Kierkegaard The Seducer's Diary The Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening Works of Love

Quotes

All quote cards for Søren Kierkegaard

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So now begins the first war with Cordelia' in which I retreat and thereby teach her to be victorious as she pursues me. I continually fall back, and in this backward movement I teach her to know through me all the powers of erotic love, its turbulent thoughts' its passion, what longing is, and hope, and impatient expectancy. As I perform this set of steps before her' all this will correspondingly in her' It is a triumphant procession in which I am leading her, and I myself am just as much the one who dithyrambically sings praises to her victory as I am the one who shows the way. She will gain courage to believe in erotic love, to believe it is an etemal force, when she sees its dominion over me, sees my movements. She will believe me, partly because I rely on my artistry, and partly because at the bottom of what I am doing there is truth. If that were not the case, she would not believe me. With my every move, she becomes stronger and stronger; love is awakening in her soul; she is being enthroned in her meaning as a woman

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The crowd, in fact, is composed of individuals; it must therefore be in every man's power to become what he is, an individual. From becoming an individual no one, no one at all, is excluded, except he who excludes himself by becoming a crowd. To become a crowd, to collect a crowd about one, is on the contrary to affirm the distinctions of human life. The most well-meaning person who talks about these distinctions can easily offend an individual. But then it is not the crowd which possesses power, influence, repute, and mastery over men, but it is the invidious distinctions of human life which despotically ignore the single individual as the weak and impotent, which in a temporal and worldly interest ignore the eternal truth- the single individual.

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In the end, therefore, money will be the one thing people will desire, which is moreover only representative, an abstraction. Nowadays a young man hardly envies anyone his gifts, his art, the love of a beautiful girl, or his fame; he only envies him his money. Give me money, he will say, and I am saved...He would die with nothing to reproach himself with, and under the impression that if only he had had the money he might really have lived and might even have achieved something great.

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Søren Kierkegaard

Present Age & Of the Difference Between a Genius & an Apostle

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I have a secret to confide to you, my confidante. Who should I confide it to? To Echo? She would betray it. To the stars? They are cold. People? They do not understand. Only to you can I confide it, for you know how to safeguard it. There is a girl, more beautiful than my soul__ dream, purer than the light of the sun, deeper than the source of the ocean, more proud than the flight of the eagle__here is a girl__h! bend your head to my ear and my words, that my secret may steal into it__his girl I love more dearly than my life, for she is my life; more dearly than all my desires, for she is the only one; more dearly than all my thoughts, for she is the only one; more warmly than the sun loves the flower, more intensely than sorrow the privacy of the troubled mind; more longingly than the desert__ burning sand loves the rain__ cling to her more tenderly than the mother__ eye to the child, more confidingly than the pleading soul to God, more inseparably than the plant to its root.__our head grows heavy and thoughtful, it sinks down on your breast, your bosom rises to its aid__y Cordelia! You have understood me, you have understood me exactly, to the letter, not one jot have you ignored. Shall I stretch the membrane of my ear and let your voice assure me of this? Should I doubt? Will you safeguard this secret? Can I depend on you? One hears of people who, in terrible crimes, dedicate themselves to mutual silence. I have confided to you a secret which is my life and my life__ content. Have you nothing to confide to me, nothing so beautiful, so significant_?___ohannes de Silentio, from_Either/Or_

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If I could forget you! Is my love then a work of memory? Even if time expunged everything from its tablets, expunged even memory itself, my relation to you would stay just as alive, you would still not be forgotten. If I could forget you! What then should I remember? For after all, I have forgotten myself in order to remember you: so if I forgot you I would come to remember myself; but the moment I remembered myself I would have to remember you again. If I could forget you! What would happen then? There is a picture from antiquity. It depicts Ariadne. She is leaping up from her couch and gazing anxiously after a ship that is hurrying away under full sail. By her side stands Cupid with unstrung bow and drying his eyes. Behind her stands a winged female figure in a helmet. It is usually assumed this is Nemesis. Imagine this picture, imagine it changed a little. Cupid is not weeping and his bow is not unstrung; or would you have become less beautiful, less victorious, if I had become mad? Cupid smiles and bends his bow. Nemesis does not stand inactive by your side; she too draws her bow. In that other picture we see a male figure on the ship, busily occupied. It is assumed it is Theseus. Not so in my picture. He stands on the stern, he looks back longingly, spreads his arms. He has repented, or rather, his madness has left him, but the ship carries him away. Cupid and Nemesis both aim at him, an arrow flies from each bow; their aim is true; one sees that, one understands, they have both hit the same place in his heart, a sign that his love was the Nemesis that wrought vengeance." __ohannes de Silentio, from_Either/Or: A Fragment of Life_