Horror immobolizes us because it is made of contradictory feelings: fear and seduction, repulsion and attraction. Horror is a fascination...Horror is immobility, the great yawn of empty space, the womb and the hole in the earth, the universal Mother and the great garbage heap...With horror we cannot have recourse to flight or combat, there remains only Adoration or Exorcism.
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seduction
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In my experience, writers tend to be really good at the inside of their own heads and imaginary people, and a lot less good at the stuff going on outside, which means that quite often if you flirt with us we will completely fail to notice, leaving everybody involved slightly uncomfortable and more than slightly unlaid.So I would suggest that any attempted seduction of a writer would probably go a great deal easier for all parties if you sent them a cheerful note saying "YOU ARE INVITED TO A SEDUCTION: Please come to dinner on Friday Night, Wear the kind of clothes you would like to be seduced in."And alcohol may help, too. Or kissing. Many writers figure out that they're being seduced or flirted with if someone is actually kissing them.
It__ only through the degradation of the soul that you can know who you really are; when all else is stripped away, leaving you bare._ Somehow, his black eyes darkened, the venom in his words more deadly than a viper__ bite. __et me degrade you, Katherine.
Seduction is the art of saying what you don't do in order to do what you don't say
Those without color__ay, dressed in all black__an go about almost unnoticed. Where the rainbow is conspicuous, their darkness acts as a kind of camouflage, masculine by contrast, and allows them to watch without being watched. It__ the choice of someone who needs not to attract. Someone self-sufficient. Someone more distant, less knowable, and ultimately, mysterious. Powerful.
AttractionThe whites of his eyespull me like moons.He smiles. I believehis face. Alreadymy body slips down in the chair:I recline on my side,offering peeled grapes.I can taste his tonguein my mouthwhenever he speaks.I suspect he lies.But my body oils itself loose.When he gets up to fix a drinkmy legs like derrickshoist me off the seat.I am thirsty, it seams.Already I see the seductionfar off in the distancelike a large treedwarfed by a risein the road.I put away objectionsas quietly as quilts.Already I explain to myselfhow marriages are broken--accidentally, like arms or legs.
You're only as old as your boy toy...
Suffer" he commanded seductively. "With me...or because of me.
Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
_, Muse of the Heart__ Passion,let me relive my Love__ memory,to remember her body, so brave and so free,and the sound of my Dreameress singing to me,and the scent of my Dreameress sleeping by me,_, sing, sweet Muse, my soliloquy!
All I'd done for the past ten years was talk about it. I was sick of talking...sick of analyzing...sick of reliving it...sick of the screaming in my head that replayed over and over like a song stuck on repeat.
The brush of your lips will last my lifetime.
He was a committed ladies' man and obtained a great deal of sustenance from the seemingly inexhaustible supply of women, but he guarded himself vigilantly against addiction, fearful of becoming fodder for that feminine allure which is so paradoxically generous to those who take from it and so destructively cruel to those who give.
He wasn't good with this sort of thing - with the back-and-forth dance between man and woman. He wasn't even sure if they were dancing, or if she was merely being polite.
No words. Just my finger pointing in silence. My finger silently saying, __nwrap me, darling.
His voice was like soothing melted chocolate. I wanted him to ooze his lovely voice all over my naked body.
The next time you try to seduce anyone, don't do it with talk, with words. Women know more about words than men ever will. And they know how little they can ever possibly mean.
Seduction begins with insinuation, what may happen, not what is, what you may become to the person, not today what you are.