This was once Mazama, I kept reminding myself. This was once a mountain that stood nearly 12,000 feet tall and then had its heart removed. This was once a wasteland of lava and pumice and ash. This was once an empty bowl that took hundreds of years to fill. But hard as I tried, I couldn't see them in my mind's eye. Not the mountain or the wasteland or the empty bowl. They simply were not there anymore. There was only the stillness and the silence of that water: what a mountain and a wasteland and an empty bowl turned into after the healing process.

Colorful characters are the odd shaped pieces that fill the holes in life's puzzle.

In the nineteenth century, The Romantics viewed Nature as benign, a glowing reflection of God's grace. Now we know better. Nature is brutal and, if it is feminine, she's not the kind of woman you can trust. Human beings may be her finest achievement yet, but when you get right down to brass tacks, we're meat. AIDS and organisms like streptococcus don't give a crap that we subdued the earth or produced a Shakespeare...

I have before suggested that a genuine blackguard is never without a pocket-handkerchief.

With riddles as black as coals, and answers as invisible as our past, I can only depend upon the crest of the rolling wave I now traversed; a romance worshiped only by the dreamer in us all, a psithurism of trust making its way through the years of our ascension to one day climb above the kaleidoscopic canopy of this mortal coil.

The idea of eternal return is a mysterious one, and Nietzsche has often perplexed other philosophers with it: to think that everything recurs as we once experienced it, and that the recurrence itself recurs ad infinitum! What does this mad myth signify?