As Roran watched, the man's arms, neck, and chest shriveled, and his bones appeared in sharp relief-from the bowlike curve of his collarbones to the hollow saddle of his hips, where his stomach hung like an empty waterskin. His lips puckered and drew back farther than they were intended to over his yellow teeth, baring them in a grisly snarl, while his eyeballs deflated as if they were engorged ticks being squished empty of blood, and the surrounding flesh sank inward.

Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.

To the left, just past the painting, on the other side of the hall, is the bathroom, the sort of open door that if cameras found it as they passed through the house in a horror movie would trigger a blast of synthesizers.

Depression is evil. Before you know it, it takes over and there's no escaping it.

... there was no need for him to hasten towards the attainment of a happiness already captured and held in a safe place, which would not escape his grasp again.

...evil fascinates and repels us - it's a terrible beauty that enthralls us the more we stare into it...