Who was more conscious than the soldier of capricious fortune, of the random roll of the dice?
Sixteen unseeing stone of disheveled male slammed into her; Robin was knocked off her feet and catapulted backwards, handbag flying, arms windmilling, towards the void beyond the lethal staircase.
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Sixteen unseeing stone of disheveled male slammed into her; Robin was knocked off her feet and catapulted backwards, handbag flying, arms windmilling, towards the void beyond the lethal staircase.
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In any case, you can't have effective allegory in times when people are swept this way and that by momentary convictions, because everyone will read it differently. You can't indicate moral values when morality changes with what is being done, because there is no accepted basis of judgment. And you cannot show the operation of grace when grace is cut off from nature or when the very possibility of grace is denied, because no one will have the least idea of what you are about.
I read not so long ago about the construction of a large telescope in Chile's Atacama Desert, where rainfall can average a millimetre a year and the air is fifty times as dry as the air in Death Valley. Needless to say, skies over the Atacama are pristine. The pilgrim astronomer ventures to the earth__ ravaged reaches in order to peer more keenly at other worlds, and I suppose the novelist is up to something similar.
A writer needs to ingest love to be passionate. Passion is a metabolite of love, and good writing is an active metabolite of passion.
Just write. That's my only tip. And read. I guess that's two.
When a solid first draft of an original tale is complete...you feel as if you could do anything.