allegory

In any case, you can't have effective allegory in times when people are swept this way and that by momentary convictions, because everyone will read it differently. You can't indicate moral values when morality changes with what is being done, because there is no accepted basis of judgment. And you cannot show the operation of grace when grace is cut off from nature or when the very possibility of grace is denied, because no one will have the least idea of what you are about.

Bentley mounted Silverwood, look down at his parents, and launched the powerful steed into the kingdom_a kingdom waiting for one young knight to discover the truth of a Stranger.

The calf is capable of walking quite well now," Dazu said. "He never stumbles.""But I told you to carry him back here," the teacher said. "The first thing a soldier must learn is to obey orders."Every day, the calf grew a little heavier, and every day, Dazu had to struggle a little harder. He would collapse, exhausted, when he finally got to the ranch, and the calf would bound out of his arms, glad to be able to walk on his own and stretch out.When winter rolled around again, Médo handed him a wooden sword and asked him to strike as hard as he could at the practice dummy. Dazu looked with distaste at the crude weapon with no edge, but he swung obediently.The wooden dummy fell in half, cut clean through. He looked at the sword in his hand with wonder."It's not the sword," his teacher said. "Have you looked at yourself lately?" He brought Dazu to stand in front of a brightly polished shield.The young man could hardly recognize the reflection. His shoulders filled the frame of the mirror. His arms and thighs were twice as thick as he remembered, and his chest bulged over his narrow waist."A great warrior trusts not his weapons, but himself. When you possess true strength, you can deal a killing blow even if all you have is a blade of grass."Now you're finally ready to learn from me. But first, go thank the calf for making you strong.

A man inherited a field in which was an accumulation of old stone, part of an older hall. Of the old stone some had already been used in building the house in which he actually lived, not far from the old house of his fathers. Of the rest he took some and built a tower. But his friends coming perceived at once (without troubling to climb the steps) that these stones had formerly belonged to a more ancient building. So they pushed the tower over, with no little labour, and in order to look for hidden carvings and inscriptions, or to discover whence the man's distant forefathers had obtained their building material. Some suspecting a deposit of coal under the soil began to dig for it, and forgot even the stones. They all said: 'This tower is most interesting.' But they also said (after pushing it over): 'What a muddle it is in!' And even the man's own descendants, who might have been expected to consider what he had been about, were heard to murmur: 'He is such an odd fellow! Imagine using these old stones just to build a nonsensical tower! Why did not he restore the old house? he had no sense of proportion.' But from the top of that tower the man had been able to look out upon the sea.

Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.

On this material plane, each living being is like a street lantern lamp with a dirty lampshade.The inside flame burns evenly and is of the same quality as all the rest__ence all of us are equal in the absolute sense, the essence, in the quality of our energy.However, some of the lamps are __urned down_ and having less light in them, burn fainter, (the beings have a less defined individuality, are less in tune with the universal All which is the same as the Will)__ence all of us are unequal in a relative sense, some of us being more aware (human beings), and others being less aware (animal beings), with small wills and small flames.The lampshades of all are stained with the clutter of the material reality or the physical world.As a result, it is difficult for the light of each lamp to shine through to the outside and it is also difficult to see what is on the other side of the lampshade that represents the external world (a great thick muddy ocean of fog), and hence to __eel_ a connection with the other lantern lamps (other beings).The lampshade is the physical body immersed in the ocean of the material world, and the limiting host of senses that it comes with.The dirt of the lampshade results from the cluttering bulk of life experience accumulated without a specific goal or purpose.The dirtier the lampshade, the less connection each soul has to the rest of the universe__nd this includes its sense of connection to other beings, its sense of dual presence in the material world and the metaphysical world, and the thin connection line to the wick of fuel or the flow of electricity that resides beyond the material plane and is the universal energy.To remain __it_ each lantern lamp must tap into the universal Source of energy.If the link is weak, depression and-or illness sets in.If the link is strong, life persists.This metaphor to me best illustrates the universe.

I__ Temple Claybourne, an upright, warm-blooded hairy mammal, Caucasian, skidding into my fourth decade of existence, the progeny of meat-eating Anglo-Saxon tribal chieftains, left-handed, flat of foot, with low cholesterol and a predictably receding hairline, carrying a zero debt load, a nervous driver, nervous in crowds, nervous around women, hungry with curiosity, a collector of comforting, unnecessary things.

Long before there was ever a King James Version of our Bible, there was a gospel truth...and long before doctrines and denominations, the preeminence of the gospel was already ripe to harvest. Before man had ever thought about creating symbols to represent spiritual things...there was a gospel.

If Scripture were to describe the downfall of an empire in the style adopted by political historians, the common people would not be stirred.

_, the wine of a womanfrom heaven is sent, more perfect than allthat a man can invent.When she came to my bed and begged me with sighsnot to tempt her towards passion nor actions unwise, I told her I__ spare her and kissed her closed eyes, then unbraided her body of its clothing disguise.While our bodies were nude bathed in candlelight fineI devoured her mouth, tender lips divine;and I drank through her thighs her feminine wine._, the wine of a woman from heaven is sent,more perfect than all that a man can invent.

_, the wine of a woman from heaven is sent,more perfect than all that a man can invent.

There is no force in Earth or Heaven above,No, not even the damned of Hell can stop relentless Love. ---Kari, The Valkyrie, Chapter Sixteen,Valley of the Damned Epic Martial Poem/Allegory

I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presence. I much prefer history _ true or feigned_ with its varied applicability to the thought and experience of readers. I think that many confuse applicability with allegory, but the one resides in the freedom of the reader, and the other in the purposed domination of the author.

The world is a book and those who do not travel read only one page.

Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

On the Day of Judgment , life and death are not determined by the world but by God's wisdom and law

In order to get over the ethical difficulties presented by the naive naturalism of many parts of those Scriptures, in the divine authority of which he firmly believed, Philo borrowed from the Stoics (who had been in like straits in respect of Greek mythology), that great Excalibur which they had forged with infinite pains and skill__he method of allegorical interpretation. This mighty 'two-handed engine at the door' of the theologian is warranted to make a speedy end of any and every moral or intellectual difficulty, by showing that, taken allegorically or, as it is otherwise said, 'poetically' or, 'in a spiritual sense,' the plainest words mean whatever a pious interpreter desires they should mean.

Carol says we speak with one voice. What she doesn't say is that voice belongs to HER. There's only one song to sing these days--Carol's song--and if you aren't in harmony, you can stick a stone in your mouth and shut the hell up.