basement

I've often wondered - where do the people who WORK at coffee shops go to meet their friends - Do they go to Conference Rooms? And if they don't meet in conference rooms, I'd like them to know I'd be willing to rent out my grandma's basement.-James Lee Schmidt and Jarod Kintz

If opportunity knocks, let it in. But with the way things are nowadays-I'd rather meet opportunity somewhere that's more public. I could meet opportunity in a coffee shop, but what if it works there? Well, I could suggest my grandma's basement.-James Lee Schmidt and Jarod Kintz

My grandfather had been the ugliest, darkest, foulest, most depraved figure of my childhood, more beast than human, and I had grown up to be him, locked in the basement with my secrets as the rest of the family reveled in the petty and ordinary upstairs. Down there, I saw my black, ancient, ineluctable core exposed, like a crab forced out of its shell--dirty, vulnerable, and obscene. For the first time in my life, I was truly alone.

Magic?" What did magic have to do with breaking into someone's store and stealing their stuff?"Don't you get it?" Peter said. "You're free now. You don't have to live by their rules anymore." Peter pointed into the inky blackness of the basement. "The darkness is calling. A little danger, a little risk. Feel your heart race, listen to it. That's the sound of being alive. It's your time, Nick. Your one chance to have fun before it's all stolen by them, the adults, with their cruelty and endless rules, their can't-do-this, and can't-do-that's, their have-tos, and better-dos, their little boxes and cages all designed to break your spirit, to kill your magic.

After we hung up, I took the joint. If I was going to die here, in the creepy basement out of a horror movie, in an epic snowstorm that was like an icy prison, with a wife unwilling to pretend-like Bananarama to maybe save her husband's life, I should at least go out with a smile on my face.

I think of human existence as being like a two-story house. On the rst oor people gather together to take their meals, watch television, and talk. e second oor contains private chambers, bedrooms where people go to read books, listen to music by themselves, and so on. en there is a basement;this is a special place, and there are a number of things stored here. We don__ use this room much in our daily life, but some- times we come in, vaguely hang around the place. en, my thought is that underneath that basement room is yet another basement room. is one has a very special door, very di - cult to gure out, and normally you can__ get in there__ome people never get in at all. . . . You go in, wander about in the darkness, and experience things there you wouldn__ see in the normal parts of the house. You connect with your past there, because you have entered into your own soul. But then you come back. If you stay over there for long you can never get back to reality.

Old Hubert must have had a premonition of his squalid demise. In October he said to me, __orty-two years I__e had this place. I__ really like to go back home, but I ain__ got the energy since my old girl died. And I can__ sell it the way it is now. But anyway before I hang my hat up I__ be curious to know what__ in that third cellar of mine.__he third cellar has been walled up by order of the civil defence authorities after the floods of 1910. A double barrier of cemented bricks prevents the rising waters from invading the upper floors when flooding occurs. In the event of storms or blocked drains, the cellar acts as a regulatory overflow.The weather was fine: no risk of drowning or any sudden emergency. There were five of us: Hubert, Gerard the painter, two regulars and myself. Old Marteau, the local builder, was upstairs with his gear, ready to repair the damage. We made a hole.Our exploration took us sixty metres down a laboriously-faced vaulted corridor (it must have been an old thoroughfare). We were wading through a disgusting sludge. At the farend, an impassable barrier of iron bars. The corridor continued beyond it, plunging downwards. In short, it was a kind of drain-trap.That__ all. Nothing else. Disappointed, we retraced our steps. Old Hubert scanned the walls with his electric torch. Look! An opening. No, an alcove, with some wooden object that looks like a black statuette. I pick the thing up: it__ easily removable. I stick it under my arm. I told Hubert, __t__ of no interest. . ._ and kept this treasure for myself.I gazed at it for hours on end, in private. So my deductions, my hunches were not mistaken: the Bièvre-Seine confluence was once the site where sorcerers and satanists must surely have gathered. And this kind of primitive magic, which the blacks of Central Africa practise today, was known here several centuries ago. The statuette had miraculously survived the onslaught of time: the well-known virtues of the waters of the Bièvre, so rich in tannin, had protected the wood from rotting, actually hardened, almost fossilized it. The object answered a purpose that was anything but aesthetic. Crudely carved, probably from heart of oak. The legs were slightly set apart, the arms detached from the body. No indication of gender. Four nails set in a triangle were planted in its chest. Two of them, corroded with rust, broke off at the wood__ surface all on their own. There was a spike sunk in each eye. The skull, like a salt cellar, had twenty-four holes in which little tufts of brown hair had been planted, fixed in place with wax, of which there were still some vestiges. I__e kept quiet about my find. I__ biding my time.

C'mon. We can turn it into a fun game - What's Scarier, The Basement Or The Attic?

If something bad smells in the basement, it will eventually make its way to the attic.