Writers use narratives to select from everything there is, and make contexts by putting the pieces into relation; that__ what writers do, they make contexts.
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Do you follow the wrestling? Most people think it's illegal, but you can watch it there. Ruby and Python are on display this evening.
What does freedom mean if we accept the fundamental premise that humans are social beings, raised in certain social and historical contexts and belonging to particular communities that shape their desires and understandings of the world?
Corporate & personal branding both require storytelling to be captivating. Stories provide context, meaning & the opportunity for relationship.
Hippasus_ proof__r at least Nico__ retelling of it__as really so simple that when he finished sketching it out, I wasn__ even aware that we had actually proven anything. Nico paused for a few minutes to let us mull it over.It was Peter who broke the silence, ____ not sure I understand what we have done.__ico seemed to be expecting such a response. __tep back and examine the proof; in fact, you should try and do this with every proof you see or have to work out for yourself. ..."He again waited for his words to sink in, and it began to make sense for me. All my mathematics teachers (other than Bauji and Nico) always seemed to evade this part of their responsibility. They had been content to merely write out a proof on the blackboard and carry on, seemingly without concern for what the proof meant and what it told us.__ut you should not stop here. Even when you have understood a proof, and I hope you have indeed understood this proof, ask yourself the next question, the obvious one, but as critical: So what? Or, why are we proving this? What is the point? What is the context? How does it relate to us? To answer these questions we have to step back a little. Let me show you__t__ really quite delightful._ Now there was excitement in Nico__ voice.
Art is the conscious making of numinous phenomena. Many objects are just objects - inert, merely utilitarian. Many events are inconsequential, too banal to add anything to our experience of life. This is unfortunate, as one cannot grow except by having one__ spirit greatly stirred; and the spirit cannot be greatly stirred by spiritless things. Much of our very life is dead. For primitive man, this was not so. He made his own possessions, and shaped and decorated them with the aim of making them not merely useful, but powerful. He tried to infuse his weapons with the nature of the tiger, his cooking pots with the life of growing things; and he succeeded. Appearance, material, history, context, rarity - perhaps rarity most of all - combine to create, magically, the quality of soul. But we modern demiurges are prolific copyists; we give few things souls of their own. Locomotives, with their close resemblance to beasts, may be the great exception; but in nearly all else with which today__ poor humans are filling the world, I see a quelling of the numinous, an ashening of the fire of life. We are making an inert world; we are building a cemetery. And on the tombs, to remind us of life, we lay wreaths of poetry and bouquets of painting. You expressed this very condition, when you said that art beautifies life. No longer integral, the numinous has become optional, a luxury - one of which you, my dear friend, are fond, however unconsciously. You adorn yourself with the same instincts as the primitive who puts a frightening mask of clay and feathers on his head, and you comport yourself in an uncommonly calculated way - as do I. We thus make numinous phenomena of ourselves. No mean trick - to make oneself a rarity, in this overpopulated age.
All overt and covert emotions would shrivel without the beam of contrast and comparison to supply context and implication. We need the value of counterpoise to recognize and distinguish between similar and dissimilar concepts. How do we identify the importance of hope if we never felt despair? How do we appreciate the value of society and companionship until we experience solitude and loneliness? What would any relationship be unless draped with the boughs of thoughts and feelings, without the ongoing interaction between conscientious action and unreserved devotion, without endless empathy fused with boundless love? In the ring of time, without the verve supplied by both the real and the imaginary, life would be bland, insipid, and lackluster.
The problem then with Jesus is that he cannot be removed from his time and transplanted into our own without simply creating him anew
But however minimal, however threadbare, it (collective memory) is ballast of a kind. We all need that seven-eighths of the iceberg, the ballast of the past, a general past, the place from which we came.That is why history should be taught in school. to all children, as much of it as possible. If you have no sense of the past, no access to historical narrative, you are afloat, untethered; you cannot see yourself as a part of the narrative, you cannot place yourself within a context. You will not have an understanding of time, and a respect for memory and its subtle victory over the remorselessness of time.
Reality is not a function of the event as event, but of the relationship of that event to past, and future, events.
Man is a coward in space, for he is by himself.
Great experiences are built on a foundation of bad experiences.
Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don__ bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: __t__ not where you take things from - it__ where you take the
most social acts have to be understood in their setting, and lose meaning if isolated. No error in thinking about social facts is more serious than the failure to see their place and function.
When facing society, the man most concerned, the man who is to do the most and contribute the most, has the least say. It's taken for granted that he has no voice and the reasons he could offer are rejected in advance as prejudiced -- since no speech is ever considered, but only the speaker. It's so much easier to pass judgement on a man than on an idea. Though how in the hell one passes judgement on a man without considering the content of his brain is more than I'll ever understand.
You know, Junie, you're fourteen now. I think you can certainly manage to put together a sandwich. ...The thing is, if my mother had any idea what I had in my backpack, she would have made me that sandwich. If she knew that I'd searched and searched the house until I finally found the little key to the fireproof box buried in the bottom of her underwear drawer, if she knew that I'd unlocked the box and taken my passport out, that I had it with me right that very second in a Ziploc bag in the bottom of my backpack, if she knew why I had it there, if she knew even a bit of all that, she might have made me that PBJ. She wouldn't have said, "You're fourteen now," like she thought I was some kind of responsible adult. No. If she knew about my plan, she would have said, "you're only fourteen." She would have told me that I was crazy to think about going to England with I was only fourteen.
When our mental functioning is whittling away and our mind becomes a lame duck, perception does not form the context anymore and all connections on the social chessboard are conked out. Only patience and endurance may draw us out of the quagmire of numbness and allow us to tear open the cloudy screen that is hiding our points of __nterest_ and __ttention_, so long as we focus on the __ingular moments_ and the __ppealing details_ in our life. Awareness can help us shape a comprehensive picture for a functional future. ("Lost the global story.")
You judge people in the context of their time, not in the context of ours.