The only people who can ever put ideas into context are people who don't care; the unbiased and apathetic are usually the wisest dudes in the room. If you want to totally misunderstand why something is supposedly important, find the biggest fan of that particular thing and ask him for an explanation. He will tell you everything that doesn't matter to anyone who isn't him. He will describe paradoxical details and share deeply personal anecdotes, and it will all be autobiography; he will simply be explaining who he is by discussing something completely unrelated to his life.
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One who has lived through the days of Hitler, Mussolini, Stalin, and the Japanese war lords feels something that a younger generation does not concerning the aberrations that are possible in this world.
Of course, in television's presentation of the "news of the day," we may see the Now...this" mode of discourse in it's boldest and most embarrassing form. For there, we are presented not only with fragmented news but news without context, without consequences, without value, and therefore without essential seriousness; that is to say, news as pure entertainment.
If the context is lost and merely bits and pieces remain from a scattered existence, only the connection of anchor points may reinstate a distorted mental balance in an upset life story. ("Lost the global story." )
When students learn to wrestle with questions about purpose, audience, and genre, they develop a conceptual view of writing that has lifelong usefulness in any communicative context.
Until you've been washed ashore you can't know how all encompassing the sea has become.
The will to truth is enshrined in the mind. It is undeniable, inescapable, mutable only if one__ humanity itself is rejected, itself muted. Yet the form of this truth, whether it be elaborate, simple, exclusive and regulatory or comprehensive and positive_ this is a matter of aesthetics, taste......It is all inherently meaningless, the puzzle just as much as the pieces themselves, ephemeral. Yet more than this it is concrete, eternal, heavy and inescapable, a preponderous amalgam of things small and large, the actuality of which is imminent, the meaning of which is too great to acknowledge, let alone comprehend.So we tell stories. We read stories, write them, consider them and like them, or not. Simply ways, simple ways, to limit the All to that which can be understood.
You see the first thing we love is a scene. For love at first sight requires the very sign of its suddenness; and of all things, it is the scene which seems to be seen best for the first time: a curtain parts and what had not yet ever been seen is devoured by the eyes: the scene consecrates the object I am going to love. The context is the constellation of elements, harmoniously arranged that encompass the experience of the amorous subject...Love at first sight is always spoken in the past tense. The scene is perfectly adapted to this temporal phenomenon: distinct, abrupt, framed, it is already a memory (the nature of a photograph is not to represent but to memorialize)... this scene has all the magnificence of an accident: I cannot get over having had this good fortune: to meet what matches my desire. interval, something has been successful: I have been fulfilled (all my desires abolished by the plenitude of their satisfaction).
Is everyone who lives in Ignorance like you?" asked Milo."Much worse," he said longingly. "But I don't live here. I'm from a place very far away called Context.
We are all lumps, and of so various and inform a contexture, that every piece plays, every moment, its own game, and there is as much difference betwixt us and ourselves as betwixt us and others.
Having contact sheets for all sorts of episodes in your life seemed to me intriguing and desirable. So much of my own history is beclouded by time, but a few sharp rays, in the form of pictures, falling upon a given day would resuscitate whole contexts. And from this archipelago of moments, scenes, episodes, you could see the larger tectonic movements of your life forming and unforming. You would be reminded of who you are. Or at least of who you were.
Conformity is a problem for many small groups. Members put a higher priority on cohesion than on coming up with a well-reasoned choice. They pressure dissenters, shield themselves from negative feedback, keep silent when they disagree ...
The road itself tells us far more than signs do.
...you do violence with your words if you force them - art is given - the words received, moment by moment from unseen hands - call it a Muse ...