creative-writing

I often said that writers are of two types.There is the architect, which is one type. The architect, as if designing a building, lays out the entire novel at a time. He knows how many rooms there will be or what a roof will be made of or how high it will be, or where the plumbing will run and where the electrical outlets will be in its room. All that before he drives the first nail. Everything is there in the blueprint.And then there's the gardener who digs the hole in the ground, puts in the seed and waters it with his blood and sees what comes up. The gardener knows certain things. He's not completely ignorant. He knows whether he planted an oak tree, or corn, or a cauliflower. He has some idea of the shape but a lot of it depends on the wind and the weather and how much blood he gives it and so forth.No one is purely an architect or a gardener in terms of a writer, but many writers tend to one side or the other. I'm very much more a gardener.

What is it about us lady authors and our fascination for the exclamation mark?

Writing is like daydreaming through your fingers.

Writing is the high alchemy of the soul that combines words and ideas to create magic.

Writing is something you Do and not discuss. Talk is cheap, wishes are free and a fool is included with every purchase. So spend your time wisely.

She was strangely unaware that she could look and see freshly for herself, as she wrote, without primary regard for what had been said before.

At one time I thought the most important thing was talent. I think now that _ the young man or the young woman must possess or teach himself, train himself, in infinite patience, which is to try and to try and to try until it comes right. He must train himself in ruthless intolerance. That is, to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is ... curiosity to wonder, to mull, and to muse why it is that man does what he does. And if you have that, then I don't think the talent makes much difference, whether you've got that o

I hope when people ask what you're going to do with your English degree and/or creative writing degree you'll say: 'Continue my bookish examination of the contradictions and complexities of human motivation and desire;' or maybe just: 'Carry it with me, as I do everything that matters.'And then smile very serenely until they say, 'Oh.

If you criticize what you__e doing too early you__l never write the first li

You have enough to create what you want.

You may be a poet and not even know it.

A word of warning here. The events as you remember them will never be the same in your memory once you have turned them into a memoir. For years I have worried that if I turn all of my life into literature, I won't have any real life left - just stories about it. And it is a realistic concern: it does happen like that. I am no longer sure I remember how it felt to be twenty and living in Spain after my parents died; my book about it stands now between me and my memories. When I try to think about that time, what comes to mind most readily is what I wrote.

An entrepreneur with strong network makes money even when he is asleep.

Networking isn't how many people you know, it's how many people know you.

To a farmer dirt is not a waste, it is wealth.

A farmer is a magician who produces money from the mud.

If the farmer is rich, then so is the nation.

Today it is cheaper to start a business than tomorrow.