eschatological

It does not matter what kind of self-destruction you choose _ as if the protagonists in Furmani _ Sokolov let say conscious of inevitability of their ontological and eschatological destiny, which they by no means want to change, but they accept it with joy of their own and peculiar optimism. Someone buries herself/himself in the library, and someone in a suburban tavern _ they would say _ the result is the same. The starting point is always that of futility, and the ultimate goal is destruction, which leads to self-destruction of all that restrains them from the total immersion in their own suffering and the pain of their own existence.

There is a human reification needingan eschatological regression.