fate

It was a sordid scene. Philip leaned over the rail, staring down, and he ceased to hear the music. They danced furiously. They danced round the room, slowly, talking very little, with all their attention given to the dance. The room was hot, and their faces shone with sweat. It seemed to Philip that they had thrown off the guard which people wear on their expression, the homage to convention, and he saw them now as they really were. In that moment of abandon they were strangely animal: some were foxy and some were wolflike; and others had the long, foolish face of sheep. Their skins were sallow from the unhealthy life the led and the poor food they ate. Their features were blunted by mean interests, and their little eyes were shifty and cunning. There was nothing of nobility in their bearing, and you felt that for all of them life was a long succession of petty concerns and sordid thoughts. The air was heavy with the musty smell of humanity. But they danced furiously as though impelled by some strange power within them, and it seemed to Philip that they were driven forward by a rage for enjoyment. They were seeking desperately to escape from a world of horror. The desire for pleasure which Cronshaw said was the only motive of human action urged them blindly on, and the very vehemence of the desire seemed to rob it of all pleasure. The were hurried on by a great wind, helplessly, they knew not why and they knew not whither. Fate seemed to tower above them, and they danced as though everlasting darkness were beneath their feet. Their silence was vaguely alarming. It was as if life terrified them and robbed them of power of speech so that the shriek which was in their hearts died at their throats. Their eyes were haggard and grim; and notwithstanding the beastly lust that disfigured them, and the meanness of their faces, and the cruelty, notwithstanding the stupidness which was the worst of all, the anguish of those fixed eyes made all that crowd terrible and pathetic. Philip loathed them, and yet his heart ached with the infinite pity which filled him.He took his coat from the cloak-room and went out into the bitter coldness of the night.

Perhaps there can be no thanks nor any blame, but only recognition of the forces that brought us and bound us to our inevitable fates.

To everyone who kept staring at the horizon, it always seemed like the earth and sky met and kissed each other, the very thought of that seemed to make every single thing in the universe beautiful. But only the sky and earth knew the distance between them, only they knew the fact that they could never be together.

If we are to tempt fate, then let us not be cowards about it.

Thus Time, and all-states-ordering CeremonyHad banished all offense: Time__ golden thighUpholds the flowery body of the earthIn sacred harmony, and every birthOf men and actions makes legitimate,Being used aright. The use of time is Fate.---From __ero and Leander, Sestiad III

Only in youth does coincidence seem the same as fate. Later, we know that the real course of our lives is decided within us; our paths may seem to diverge from our wishes in a confused and pointless way, but in the end the way always leads us to our invisible destination.

This is the world in which everyone is sensitised to risk but indifferent to fate.

Whatever you do, do it with purpose. Being focused is not something to be ashamed of. It is something to be proud of. When you know what are you are doing and have a clear vision of where you are going, you will not need to chase opportunities. Opportunities will seek you. Happiness will chase you. And, instead of being a choice, you will be the one choosing.

The difference between me and Duchi, in one sentence, is this: I say, things will be all right, and if they aren't, that's all right too. Duchi says, things will not be all right, and if they are, that's not all right either. OK, two sentences.

I use this as a paradigm for our whole attitude toward life, what you did was you worked very hard, you try to understand and try to direct these complicated, powerful forces and at the very end of the struggle you've made no progress at all. That upon discovering that, you've raised to a lofty moral height, and you've accepted your fate, and somehow went on.

If you sleep on the train, you will miss your station; if you sleep at the station, you will miss your train! You can control your fate only when you are awake!

They had been talking about his friend Z. when she announced, "If I hadn't met you, I'd certainly have fallen in love with him."Even then, her words had left Tomas in a strange state of melancholy, and now he realized it was only a matter of chance that Tereza loved him and not his friend Z. Apart from her consummated love for Tomas, there were, in the realm of pos­sibility, an infinite number of unconsummated loves for other men. We all reject out of hand the idea that the love of our life may be something light or weightless; we presume our love is what must be, that without it our life would no longer be the same; we feel that Beethoven himself, gloomy and awe-inspir­ing, is playing the "Es muss sein!" to our own great love.Tomas often thought of Tereza's remark about his friend Z. and came to the conclusion that the love story of his life exemplified not "Es muss sein!" (It must be so), but rather "Es konnte auch anders sein" (It could just as well be otherwise).

But they are many and he is alone.This has not come to pass yet, he thinks, this is not happening. I am not dying. This is my fate, what shall be. This is the future, it has not happened yet.

Maybe she hated being out of control, knowing that someone or something else was dictating her fate. Because it's really not fair. A drunk driver runs a red light, and you end up dead. A guy in a movie theater coughs on you, and you catch some rare, fatal disease. You sit in class minding your own business, and there's the kid from sixth period holding a gun in his hand. Why should other people be in control? Why should someone else get to choose when you die?

I fear no fate for l am radiant with lightI win regardless with Jesus in me ,For l am in him He is in me

It was like finding out the world was made of gossamer and could be so easily ripped apart. To be solely at the mercy of fate.

It's a book that says the same thing almost all the other books in the world say," continued the old man. "It describes people's inability to choose their own Personal Legends. And it ends up saying that everyone believes the world's greatest lie." "What's the world's greatest lie?" the boy asked, completely surprised. "It's this: that at a certain point in our lives, we lose control of what's happening to us, and our lives become controlled by fate. That's the world's greatest lie.

My mind held fast to that hot morning and the moment of coolness in the cabin. I could so easily re-enact every moment. Again-why had I gone back to exchange the beautiful charts at that precise moment? How many times would I, in whatever innocence, be compelled to choose the right time?