The mind that becomes soiled in youth can never again be washed clean. I know this by my own experience, & to this day I cherish an unappeased bitterness against the unfaithful guardians of my young life, who not only permitted but compelled me to read an unexpurgated Bible through before I was 15 years old. None can do that and ever draw a clean sweet breath again on this side of the grave.
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Naturally, the plague of humanity named confidence (or pride to some), which symptoms often render each person to fiercely believe himself to be above average, let them to believe that it was others who were affected by this case but not them. Everyone thought they had the quintessential ability to detach themselves from the cases they were working, even if the victim looked and behaved exactly like their son, daughter, niece or nephew.
Someone with a low degree of epistemic arrogance is not too visible, like a shy person at a cocktail party. We are not predisposed to respect humble people, those who try to suspend judgement. Now contemplate epistemic humility. Think of someone heavily introspective, tortured by the awareness of his own ignorance. He lacks the courage of the idiot, yet has the rare guts to say "I don't know." He does not mind looking like a fool or, worse, an ignoramus. He hesitates, he will not commit, and he agonizes over the consequences of being wrong. He introspects, introspects, and introspects until he reaches physical and nervous exhaustion.This does not necessarily mean he lacks confidence, only that he holds his own knowledge to be suspect. I will call such a person an epistemocrat; the province where the laws are structured with this kind of human fallibility in mind I will can an epistemocracy.
Men who thought of themselves as gods fell the farthest, and the hardest.
f you are too good to look after God__ trash, you are not good enough to look after God__ treasure.
Pride is born as a mountaintop on a valley, but dies as an abyss in which it is too deep and too dark to see the better.
It may be a species of impudence to think that the way you understand God is the way God is. (60).
The Duke would not pay for the works. He says that the Castle can never be taken. That is called hubris, Giacomo, the belief that you are never wrong. Believing you are never wrong is an error that afflicts great men. I have learned that to be right you must first be wrong many times. Without making errors--and learning from them--a man cannot find the truth.
It doesn__ take long for your fortunes to turn. One second you__e fluttery as a bird, the next you__e on the ground with your wings clipped.
People who worship only themselves get a slick, polished look -- like monuments. Too bad they had to go so soon.
Can anything be imagined so ridiculous, that this miserable and wretched creature [man], who is not so much as master of himself, but subject to the injuries of all things, should call himself master and emperor of the world, of which he has not power to know the least part, much less to command the whole?
Glory of the world makes life meaningless. Glory of God fulfills it.
In the same way that the picturesque designers were always careful to include some reminder of our mortality in their gardens -- a ruin, sometimes even a dead tree -- the act of leaving parts of the garden untended, and calling attention to its margins, seems to undermine any pretense to perfect power or wisdom on the part of the gardener. The margins of our gardens can be tropes too, but figures of irony rather than transcendence -- antidotes, in fact, to our hubris. It may be in the margins of our gardens that we can discover fresh ways to bring our aesthetics and our ethics about the land into some meaningful alignment.
Beware of puny two-legged creatures claiming to be made in the image of God.
We can never be gods, after all--but we can become something less than human with frightening ease.
Each era has the fatal hubris to believe that it has once and for all climbed to the top of the mountain and can see everything as it is, from the highest and most objective vantage point possible.
Note from Alien cookbook: __he more intelligent the human is, the better it tastes.
The true artist will let his wife starve, his children go barefoot, his mother drudge for his living at seventy, sooner than work at anything but his art. To women he is half vivisector, half vampire. He gets into intimate relations with them to study them, to strip the mask of convention from them, to surprise their inmost secrets, knowing that they have the power to rouse his deepest creative energies, to rescue him from his cold reason, to make him see visions and dream dreams, to inspire him, as he calls it. He persuades women that they may do this for their own purpose whilst he really means them to do it for his. He steals the mother__ milk and blackens it to make printer__ ink to scoff at her and glorify ideal women with. He pretends to spare her the pangs of child-bearing so that he may have for himself the tenderness and fostering that belong of right to her children. Since marriage began, the great artist has been known as a bad husband. But he is worse: he is a child-robber, a blood-sucker, a hypocrite, and a cheat. Perish the race and wither a thousand women if only the sacrifice of them enable him to act Hamlet better, to paint a finer picture, to write a deeper poem, a greater play, a profounder philosophy! For mark you, Tavy, the artist__ work is to shew us ourselves as we really are. Our minds are nothing but this knowledge of ourselves; and he who adds a jot to such knowledge creates new mind as surely as any woman creates new men. In the rage of that creation he is as ruthless as the woman, as dangerous to her as she to him, and as horribly fascinating. Of all human struggles there is none so treacherous and remorseless as the struggle between the artist man and the mother woman. Which shall use up the other? that is the issue between them. And it is all the deadlier because, in your romanticist cant, they love one another.