outsider

In his or her own way, everyone I saw before me looked happy. Whether they were really happy or just looked it, I couldn't tell. But they did look happy on this pleasant early afternoon in late September, and because of that I felt a kind of loneliness new to me, as if I were the only one here who was not truly part of the scene.

Along the way I stopped into a coffee shop. All around me normal, everyday city types were going about their normal, everyday affairs. Lovers were whispering to each other, businessmen were poring over spread sheets, college kids were planning their next ski trip and discussing the new Police album. We could have been in any city in Japan. Transplant this coffee shop scene to Yokohama or Fukuoka and nothing would seem out of place. In spite of which -- or, rather, all the more because -- here I was, sitting in this coffee shop, drinking my coffee, feeling a desperate loneliness. I alone was the outsider. I had no place here. Of course, by the same token, I couldn't really say I belonged to Tokyo and its coffee shops. But I had never felt this loneliness there. I could drink my coffee, read my book, pass the time of day without any special thought, all because I was part of the regular scenery. Here I had no ties to anyone. Fact is, I'd come to reclaim myself.

But most of those to whom Ender's Game feels most important are those who, like me, feel themselves to be perpetually outside their most beloved communities, never able to come inside and feel confident of belonging.

If you've ever had that feeling of loneliness, of being an outsider, it never quite leaves you. You can be happy or successful or whatever, but that thing still stays with you.

I had chosen to play the detective__nd if there is one thing that unites all the detectives I've ever read about, it's their inherent loneliness. The suspects know each other. They may well be family or friends. But the detective is always the outsider. He asks the necessary questions but he doesn't actually form a relationship with anyone. He doesn't trust them, and they in turn are afraid of him. It's a relationship based entirely on deception and it's one that, ultimately, goes nowhere. Once the killer has been identified, the detective leaves and is never seen again. In fact, everyone is glad to see the back of him.

Over the years most of my peers had come to hate me__ never understood why. I guess I was just different and, like dogs, they could smell it. So I never had many friends.

They were laughing and their hair was shining like leaves in moonlight, their limbs long as saplings. I thought, Girls are magical at this phase, girls are invincible, nothing can touch them. I didn__ think __s_ because I didn__ feel that; I felt other, on the outside, watching them.

For the first time in years, he felt the deep sadness of exile, knowing that he was alone here, an outsider, and too alert to the ironies, the niceties, the manners, and indeed, the morals to be able to participate.

Maybe anosognosia, the inability to see your own disability, is the human condition and I'm the only one who doesn't suffer from it.

Zoe stopped one last time in front of the mirror, adjusting her new American dress. She didn__ see the dress, however. She saw what the big Russian did to her. She saw what al-Qaeda did to her. She saw a person shunned by her Persian village. She saw ugliness. Every time she looked in the mirror she saw deficiency.

I suppose this was the first time I had ever felt an urge not to be. Never an urge to die, far less an urge to put an end to myself - simply an urge not to be. This disgusting, hostile and unlovely world was not made for me, nor I for it.

Nobody, who has not been in the interior of a family, can say what the difficulties of any individual of that family may be.

The four of us stood in silence as we watched the surrounding girls play games or gossip. It was almost as if I did not belong here anymore. It was like I was peering in through a window from a completely different world.

Society, as we have constituted it, will have no place for me, has none to offer; but Nature, whose sweet rains fall on unjust and just alike, will have clefts in the rocks where I may hide, and secret valleys in whose silence I may weep undisturbed. She will hang the night with stars so that I may walk abroad in the darkness without stumbling, and send the wind over my footprints so that none may track me to my hurt: she will cleanse me in great waters, and with bitter herbs make me whole.

Tremendous beauty and tremendous ugliness puts you on the outside of things.

I'm afraid of them and they don't like me because I'm afraid.

For a long while I have believed _ this is perhaps my version of Sir Darius Xerxes Cama__ belief in a fourth function of outsideness _ that in every generation there are a few souls, call them lucky or cursed, who are simply born not belonging, who come into the world semi-detached, if you like, without strong affiliation to family or location or nation or race; that there may even be millions, billions of such souls, as many non-belongers as belongers, perhaps; that, in sum, the phenomenon may be as __atural_ a manifestation of human nature as its opposite, but one that has been mostly frustrated, throughout human history, by lack of opportunity. And not only by that: for those who value stability, who fear transience, uncertainly, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers_ seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the non-belongers, the different ones, the outlaws, the freaks.What we forbid ourselves we pay good money to watch, in a playhouse or a movie theater, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveler, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.

I'm afraid of them and they don't like mebecause I'm afraid.