I stared up at the black chiffon and tried to imagine my eternity. It looked very bleak. Hopefully, insanity would claim me quickly.
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The months passed away. Slowly a great fear came over Viola, a fear that would hardly ever leave her. For every month at the full moon, whether she would or no, she found herself driven to the maze, through its mysterious walks into that strange dancing-room. And when she was there the music began once more, and once more she danced most deliciously for the moon to see. The second time that this happened she had merely thought that it was a recurrence of her own whim, and that the music was but a trick that the imagination had chosen to repeat. The third time frightened her, and she knew that the force that sways the tides had strange power over her. The fear grew as the year fell, for each month the music went on for a longer time - each month some of the pleasure had gone from the dance. On bitter nights in winter the moon called her and she came, when the breath was vapor, and the trees that circled her dancing-room were black, bare skeletons, and the frost was cruel. She dared not tell anyone, and yet it was with difficulty that she kept her secret. Somehow chance seemed to favor her, and she always found a way to return from her midnight dance to her own room without being observed. Each month the summons seemed to be more imperious and urgent. Once when she was alone on her knees before the lighted altar in the private chapel of the palace she suddenly felt that the words of the familiar Latin prayer had gone from her memory. She rose to her feet, she sobbed bitterly, but the call had come and she could not resist it. She passed out of the chapel and down the palace gardens. How madly she danced that night! ("The Moon Slave")
In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.'Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand.The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously."Music! more music!" she cried.Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")
You have your orders,_ Mab shouted at the guards. __o the Deeps with her._ The men led me from the great hall, taking me along a series of corridors to the back of the castle, then winding through another long corridor and into a spiraling stairwell that appeared to have no end. We went further and further down until finally it ended so deep in the ground it felt like a grave. My pulse quickened as we reached the bottom. A single dark door lay ahead.
I don't want to write a mass before being in a state to do it well, that is a Christian. I have therefore taken a singular course to reconcile my ideas with the exigencies of Academy rules. They ask me for something religious: very well, I shall do something religious, but of the pagan religion. . . . I have always read the ancient pagans with infinite pleasure, while in Christian writers I find only system, egoism, intolerance, and a complete lack of artistic taste.
The witch who claims to forbear her magick for fear of causing the next Indian tsunami is really saying that she is powerful enough to kill thousands of innocent strangers when all she meant to do was water her mugwort. She can't be challenged to produce evidence of this, because doing could provoke earthquakes and Africanized bee attacks.
Jehovah__ Witness? Don__ sweat it. I__ going to hell, already booked my ticket. Bright side? I__ pagan. Your hell is my heaven... if for no other reason than you won__ be there.
So yes, I worship nature. I worship a blind Goddess. For me, she is the only worthy object of worship. She will never care that I worship her. She will never answer a single prayer. But she is always with me_ shaping me as I shape her. I will struggle with her to the last gasp of my life. And in the end, in my final act of devotion, I will yield to her. - John Halstead, "I Worship the Blind Goddess
I have learned a great deal from other Witches, Wiccans, Odinists, Voodoo and Hoodou practitioners, Druids and many others who consider themselves Pagan. The one common thread is that every single person has been nonjudgmental. Isn't this what it's all about, acceptance? Are we not here to design our own spiritual path? --Icinia
Black magic, the magic of the primeval chaos, blots out or transmogrifies the true form of things. At the stroke of twelve the princess must flee the banquet or risk discovery in the rags of a kitchen wench; coach reverts to pumpkin. Instability lies at the heart of the world. With uncanny foresight folklore has long toyed symbolically with what the nineteenth century was to proclaim a reality - namely, that form is an illusion of the time dimension, that the magic flight of the pursued hero or heroine through frogskin and wolf coat has been, and will continue to be, the flight of all men.
He closed the pages and stuffed them back into his jacket. Keeping his eyes cast downwards as he sipped his wine, he pulled out and lit a cigarette _ almost a post-coital gesture. from The Willow Lake Group by Kelly Proudfoot
Christian missions to India imply that India is a land of heathens, and, therefore, stands on the same level with the Andaman or the Fiji Islands. That a country which has been recognised in all ages the world over as the mother of all religions and the cradle of civilisation should be considered as pagan, shows how much ignorance prevails in Christendom. Since the Parliament of Religions, I have been studying Christian institutions, and I have also studied the way in which the Christian ministers and the missionaries are manufactured in this country, and have learned to pity them. We must not blame them too severely, because their education is too narrow to make them broad-minded. I grant that they are good-hearted, that they are good husbands and often fathers of large families, but generally they are very ignorant, especially of the history of civilisation and of the philosophy of religion of India. Most of them do not even know the history of ancient India.We know that in this age of competition, centralisation, and monopoly, very many people are forced out of business. The English say, 'The fool of the family goes into the Church'; so that when a youth is unable to make a living, he takes to missionary work, goes to India, and helps to introduce among the Hindus the doctrines of his church, which have long since been exploded by science.
Chabrias, ever preoccupied to offer the gods the worship due them, was disturbed by the progress of sects of this kind among the populace of large cities; he feared for the welfare of our ancient religions, which yoke men to no dogma whatsoever, but lend themselves, on the contrary, to interpretations as varied as nature itself; they allow austere spirits who desire to do so to invent for themselves a higher morality, but they do not bind the masses to precepts so strict as to engender immediate constraint and hypocrisy.
I am that which unloves me and loves; I am stricken, and I am the blow.
WINTER'S GHOST:Autumn moonincautious in the dark riverWinter__ ghost walkswith a covered faceand silver bones wait in all animalsto be bone cloth upon her shoulderwait for her happiness in that they are silver