Now you are walking in Paris all alone in the crowdAs herds of bellowing buses drive byLove's anguish tightens your throatAs if you were never to be loved againIf you lived in the old days you would enter a monasteryYou are ashamed when you discover yourself reciting a prayerYou make fun of yourself and like the fire of Hell your laughter cracklesThe sparks of your laugh gild the depths of your lifeIt's a painting hanging in a dark museumAnd sometimes you go and look at it close up
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Anyone that says his mind will be probably regarded a fool, but the true artist is not moved by the comments about the looks of his painting or remarks that are dreadfully sarcastic, but hearken now! That he who says what others want to hear hasn't said anything of his own.
And on the days I couldn't breathe, I learned to paint air.
Paint me perfect poetry.
To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.
They were both young men under thirty. Art is not so precocious as literature, and does not send quite so many early potatoes into the market, so that the age of thirty is considered young enough for a painter to have learnt his business sufficiently to be marketable from the picture-dealing point of view. ("The Phantom Model")
You can be a good painter if you study Cézanne's vision. Whoever dares to copy Van Gogh falls inevitably into the hell of imitators. For this painter didn't care about masterpieces, or even good paintings... but about what is beyond all painting, all art.
A picture is worth a thousand words, but the way I paint I'm going to need to contact an editor. Even if I were to abstractly paint the phrase "I love you," it would be the visual equivalent of Joyce's Ulysses.-James Lee Schmidt and Jarod Kintz
The artistic creation of the poet, painter, photographer, and writer is a reflection of the artist__ inner world. The agenda of consciousness that spurs all forms of art is not to represent the outward appearance of things, but to portray its inward significance to the creator. A great poem, painting, photograph, and written composition fully express what the creator feels, in the deepest sense, about the distinctively depicted image that captured their imagination.
in the corner of the painting of successthe signature is blurred
I am the wood frame, the bundle of ox hair, and the creative spark... my value unhangable.
With cold eyes and indifferent mind the spectators regard the work. Connoissers admire the "skill" (as one admires a tightrope walker), enjoy the "quality of painting" (as one enjoys a pasty). But hungry souls go hungry away. The vulgar herd stroll through the rooms and pronounce the pictures "nice" or "splendid." Those who could speak have said nothing, those who could hear have heard nothing.
Jo told me once that she was an old woman everywhere but in her studio. __here I__ only myself,_ she__ said. Standing in the middle of masterpieces that only Jo had ever seen and touched, I knew what she meant.
Look at this one._ I picked up a small painting of a man with dark hair and a short, dark beard. He wore a loose shirt, cobalt blue, unbuttoned at the top, showing a prominent, knobby collarbone. He looked_complicated and hungry. She__ captured him focused intensely on a book, his face pressed against a wall like he was resting. Or waiting.
He said, one has to learn that painting well - in the academic and technical sense - comes right at the bottom of the list. I mean, you've got that ability. So have thousands.
I__ stumbled upon the inner sanctuary of a woman who loved the world. Loved the faces of people she saw. Loved the way a hand looked when it was relaxed. Loved the way a woman looked when she touched her own face. The way a man looked when he opened himself to her. Loved the way wind changed a tree or a field or a child__ hair. The beauty of a neck meeting a shoulder. The softness of a smile that wasn__ forced.
Even though artists of all kinds claim to put their hearts and souls into their works, it will only confuse you, for example, if you try to discern a painter by his paintings. His masterpiece may be the master because of its iridescence; it may display a hundred different perspectives through his single face.
I can very well do without God both in my life and in my painting, but I cannot, suffering as I am, do without something which is greater than I, which is my life, the power to create.