poker

Life is so fragile and unpredictable, especially when you are in a gang or in a life of crime. It__ like playing poker; you think to yourself that you have a good hand. However, it is only when you reveal your hand do you sometimes discover to your horror that someone else__ hand is better.

Screenwriting is like poker; in the end, you have to go all in.

Conventional wisdom nor scientific, mathematical prove of randomness in life could do nothing to deter human's curiosity for the unknown, however small the chance of a positive outcome maybe.

All serious poker players try to minimize their tells, obviously. There are a couple ways to go about this. One is the robotic approch: where your face becomes a mask and your voice a monotone, at least while the hand is being played. . . . The other is the manic method, where you affect a whole bunch of tics, twitches, and expressions, and mix them up with a river of insane babble. The idea is to overwhelm your opponents with clues, so they can't sort out what's going on. This approach can be effective, but for normal people it's hard to pull off. (If you've spent part of your life in an institution, this method may come naturally.)

Poker is a skill game pretending to be a chance game.

Daily fantasy sports is much closer to online poker than it is to traditional fantasy sports.

I can win anytime. Kevin's going to go back to Burbank and tell everybody in his cubicle how he won at the Golden Nugget. Sometimes the pot isn't the money.

I'm going to be frank, Max...""Of course. All cards on the table." But he gave me a poker smile.

They're holding flushes of face cards, and I think we're the pot.

Life is just a big game of Texas hold'em, unexpected things may arise that may suite you or destroy you. You gotta make the best of the cards your dealt, adjust accordingly, and always understand that you control your decisions.

All the kids with fancy shoes or clothes, do you know what I got with a family of nine? When ever we said let's play poker, we had a full team of adults right there.

When they reached the stairs, he didn__ make her climb them herself. He picked her up in his arms and carried her to the big bathroom off their bedroom. He didn__ speak, his expression didn__ soften. But he was hard. His cock was like a poker, steely and hot against her hip. His eyes blazed with lust.

What, then, should you do? With an excellent hand, you should bet: You lose nothing if your opponent folds, while giving yourself a good chance of winning a big pot if he calls. But with a middling hand, you shouldn't bet: If he has a bad hand, he'll fold, and you'll win the ante, which is what you'd have won anyway by checking; but if he has a good hand, he'll call and win. It's heads he wins, tails you don't. You should check instead, and hope your middling hand wins the ante.What about with a terrible hand? Should you check or bet? The answer is surprising. Checking would be unwise, because the hands will be compared and you will lose. It actually makes more sense to bet with these bad hands, because the only way he might drop out is if you make a bet. Perversely, you are better off betting with awful cards than with mediocre ones, the quintessential (and rational) bluff. There's a second reason for you to bet with terrible cards rather than middling ones: Your opponent will have to call a little more often. Because he knows that your bets are sometimes very weak, he can't afford to fold too easily. That means that when you bet with a good hand, you are more likely to be called, and to win when you are. Because you are bluffing with bad cards, your good hands make more money.