I enjoy melancholic music and art. They take me to places I don't normally get to go.
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When someone asks me what a song is about, it__ like, I feel like I might ruin it if you ask me that. I feel like I did my best to explain the song in the song on its own terms as a song.
I've finally decided to write about profit for a changeBut before I really started I already started to feel lameBaby what's it to a beast who manely to money remains untamed
Well, the gold fish in the bowl lay upside down bloatingFull in the sky and the plains were bleached white with skeletonsVarious species grouped together accordingTo their past beliefsThe only way they ever all got together wasNot in love but shameful grief
... because one day, maybe one day, if I learned how to write clear enough, sing loud enough, be strong enough, I could explain myself in a way that made sense and then maybe one day, one day, someone out there would hear and recognise her or himself and I could let them know that they are not alone. Just like that song I had on repeat for several nights as I walked lonely on empty streets, let me know that I was notaloneand that__ how it starts.
... but I believe that music can change a life, because it changed mine.
I enjoy poetry where I can talk as bizarre as I please, but theology or philosophy, I always respect the truth by taking it a step further.
A steampunk nationBaby pollution rises up then the loving comes arraigning 'causeOur art's official and only partially artificialAnd our heart's in the middle of sharp hardened shards of metal butThere's not where it settlesBecause it's beating to the steaming of God's hottest pot or kettleAnd now we face it, this creation we made toTo save our craving for a synthetic rebelnation it'sOur safeway they make into a pathetic revelationIn our steampunk nationOur steampunk nation
Don__ try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourselfand let your very existence be your song, your poem, your story.Let your very identity be your book.Let the way people say your name sound like the sweetest melody.
Astray from a deep sleep chronic as I write by phonics, like insomnia I will always live the onyx night for revealing, and, upon it, still I'll steal the bright light of day right away just to keep building at speeds hypersonic.
You__e going to have people who are going to say __h, you know like, she just writes songs about her ex-boyfriends_ and I think frankly that__ a very sexist angle to take. No one says that about Ed Sheeran. No one says it about Bruno Mars. They__e all writing songs about their exes, their current girlfriends, their love-life, and no one raises a red flag there.
I won't be stuck in traffic 'til I see how rugged my path isAnd right now I'm loving how fast my troubles are fastingNo they don't bother me oh realizing I'm psychopathicA wild beast, baby I'm gladly running afterYes a thing called peace outlasting any madnessThe devil fears me oh he's feelingLike a fragment of a fractionNo he won't come near me'Cause his hat trick's out of practice
Music is not my life. My life is music.
This is almost always the case: A piece of art receives its f(r)ame when found offensive.
His mindIt says survival of the fittest butHis soulRevival of the idiotsSo good riddance, dancing
When there's music in your soul, there's soul in your music.
The best songs are written through our anger. Even though feelings change over time, our lyrics will always remain inside the song as a way of reminding us how far and how much stronger we've become since then.
Music written by teams makes the authorship of a piece indistinct. Could it be that when hearing a song written by a team, a listener can sense that they aren't hearing an expression of a solitary individual's pain or joy, but that of a virtual conjoined person? Can we tell that an individual singer might actually represent a collective, that he might have multiple identities? Does that make the sentiments expressed more poetically universal? Dan eliminating some portion of the authorial voice make a piece of music more accessible and the singer more empathetic?