the-guardian

I think I__l feel out of place wherever I go on earth, forever. But that__ fine. I have to make my peace with that.

I can__ do small talk really, and that__ fine. I've got old friends and family that love me, thank God. I__ grateful for what a city gives you access to, but I do feel that I__ only here until I figure out how to get out again.

I tend to be drawn to people who are similar. Very independent. And the ones who aren't, it doesn't work. It doesn't last. I__ drawn to quiet people _ certainly I am now.

I don't know how you hear music. I imagine that if you like music at all then it has, in your head, some kind of third dimension to it, a dimension suggesting space as well as surface, depth of field as well as texture.Speaking for myself, I used to hear "buildings"... three-dimensional forms of architectural substance and tension. I did not "see" these buildings in the classic synaesthetic way so much as sense them. These forms had "floors", "walls", "roofs", "windows", "cellars". They expressed volume. Music to me has always been a handsome three-dimensional container, a vessel, as real in its way as a Scout hut or a cathedral or a ship, with an inside and an outside and subdivided internal spaces.I'm absolutely certain that this "architecture" had everything to do with why music has always exerted such a hold over me. I think music was the structure in which I learned to contain and then examine emotion.

Daddy loved his son. Daddy believed his son walked on water. Daddy, Mike had long ago decided, was an idiot.

The future of fiction? he said. Maybe, she said. Will it have room for, you know, love & stuff? he said. Always, she said. OK then, he said.

If someone wanted to be a runner, you don't tell them to think about running, you tell them to run. And the same simple idea applies to writing, I hope.

The world is a better place when you smile.

Economics ought to be a magpie discipline, taking in philosophy, history and politics. But heterodox approaches have long since been banished from most faculties, claims Tony Lawson. In the 1970s, when he started teaching at Cambridge, the economics faculty still boasted legends such as Nicky Kaldor and Joan Robinson. "There were big debates, and students would study politics, the history of economic thought." And now? "Nothing. No debates, no politics or history of economic thought and the courses are nearly all maths."How do elites remain in charge? If the tale of the economists is any guide, by clearing out the opposition and then blocking their ears to reality. The result is the one we're all paying for.