worldbuilding

The villages slept as the capable man went down,Time swished on the village clocks and dreams were alive,The enormous gongs gave edges to their sounds,As the rider, no chevalere and poorly dressed,Impatient of the bells and midnight forms,Rode over the picket docks, rode down the road,And, capable, created in his mind,Eventual victor, out of the martyr's bones,The ultimate elegance: the imagined land.

Man, Sub-creator, the refracted Lightthrough whom is splintered from a single Whiteto many hues, and endlessly combinedin living shapes that move from mind to mind.

I propose to speak about fairy-stories, though I am aware that this is a rash adventure. Faërie is a perilous land, and in it are pitfalls for the unwary and dungeons for the overbold.

The mind that thought of light, heavy, grey, yellow, still, swift, also conceived of magic that would make heavy things light and be able to fly, turn grey lead into yellow gold, and the still rock into a swift water.

Every moment of a science fiction story must represent the triumph of writing over worldbuilding.Worldbuilding is dull. Worldbuilding literalises the urge to invent. Worldbuilding gives an unnecessary permission for acts of writing (indeed, for acts of reading). Worldbuilding numbs the reader__ ability to fulfil their part of the bargain, because it believes that it has to do everything around here if anything is going to get done.Above all, worldbuilding is not technically necessary. It is the great clomping foot of nerdism. It is the attempt to exhaustively survey a place that isn__ there. A good writer would never try to do that, even with a place that is there. It isn__ possible, & if it was the results wouldn__ be readable: they would constitute not a book but the biggest library ever built, a hallowed place of dedication & lifelong study. This gives us a clue to the psychological type of the worldbuilder & the worldbuilder__ victim, & makes us very afraid.

Ha-ha!' the fox laughed. '*Just* stories, you say, as if stories mean nothing? Stories are the stuff that sticks the world together. Stories are the mud from which we're all made. The power to imagine stories is the power to remake the world as we dream it.

Nobody believes me when I say that my long book is an attempt to create a world in which a form of language agreeable to my personal aesthetic might seem real. But it is true.