advice-for-writers

The secret to good writing is to use small words for big ideas, not to use big words for small ideas.

Toni Morrison said, "The function of freedom is to free someone else," and if you are no longer wracked or in bondage to a person or a way of life, tell your story. Risk freeing someone else. Not everyone will be glad that you did. Members of your family and other critics may wish you had kept your secrets. Oh, well, what are you going to do? Get it all down. Let it pour out of you and onto the page. Write an incredibly shitty, self-indulgent, whiny, mewling first draft. Then take out as many of the excesses as you can.

When your novel first peeks its head into the world, it will look pretty much like every newborn: blotchy, hairless, and utterly confused.

To be a better cook, cook more. To be a better writer, read more.

I'm not talented or gifted. I'm a committed, meticulous workaholic. The only reason I succeed is because I refuse to fail.

This is not a meritocracy.

My best advice is to first write for yourself and stay in your story and just pour all of your good stuff and bad stuff into it. By 'stuff,' I mean all the experiences and pleasures and little hurts that make up a life. Because even (and especially) the really hard experiences are worth having, if you can channel those emotions into something beautiful.

Well, I definitely advise anyone who wants to write, write. Don__ let anyone tell you that you shouldn__. Don__ let anyone tell you that you can__. Because a lot of people can be very discouraging to people who say they want to be a professional writer. If you want to do it, then chase it. Chase your dreams. Follow your heart. If that__ what you want, go after it. Write it out. You never know, you could be the next big thing.

Who will teach me to write? a reader wanted to know.The page, the page, that eternal blankness, the blankness of eternity which you cover slowly, affirming time's scrawl as a right and your daring as necessity; the page, which you cover woodenly, ruining it, but asserting your freedom and power to act, acknowledging that you ruin everything you touch but touching it nevertheless, because acting is better than being here in mere opacity; the page, which you cover slowly with the crabbed thread of your gut; the page in the purity of its possibilities; the page of your death, against which you pit such flawed excellences as you can muster with all your life's strength: that page will teach you to write.

[When asked for her advice to aspiring writers] Run! Just kidding. Sort of. Really, I think the best advice I can give is to wait for the book that compels you to write it-- the one that you eat, sleep, and breathe. If you try to force yourself to create an epic story, you will feel the ensuing drudgery quite acutely-- and worse, your readers will feel it too. Conversely, if you wait for the book that won't leave you alone until you finish it, your readers will feel that energy and it will make it difficult for them to put the book down until they have finished it!

You story must be best told by you. Your experience is a sacred life.

My advice would be to write-never to stop writing, to keep it up all the time, to be painstaking about it, to write until you begin to write.

Good advice is not often served in our favorite flavor.

Writing a book with completely fictitious characters is like running a democracy, centered around a capital state. You constantly live with the fear & suspicion that one of the characters will start an uncontrollable rebellion.

Our stories hold unique inspiration for one another.

The power of writing supernaturally set things into motion.

I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation__one other than an interest in being born again as somebody else__uggests that he is not happy!

Interest is never enough. If it doesn't haunt you, you'll never write it well. What haunts and obsesses you may, with luck and labour, interest your readers. What merely interests you is sure to bore them. (from Workbook)