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Lucy preferred gin and tonics during the summer and switched over to whiskey sours in the winter. At dinner, a sit-down affair with the family, Lucy drank whatever the Temerlins drank, including expensive French wines. "She never gets obnoxious, even when smashed to the brink of unconsciousness," wrote Maurice, revealing more about the chimp's alcoholism than perhaps he intended. At one point, he tried to wean Lucy off the good stuff and onto Boone's Farm apple wine. Assuming she would delight in the fruity swill, he purchased a case and filled her glass one night at dinner. Lucy took a sip of the apple wine, noticed her parents were drinking something else, and put her glass down. She then graabbed Maurice's glass of Chablis and polished it off. She finished Jane's next. Not another sip of Boone's farm ever touched her lips.

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Elizabeth Hess

Nim Chimpsky: The Chimp Who Would Be Human

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I shall always attribute my uncertain start in New Zealand to the fact that I was introduced too early to what is knows as the 'five o'clock swill'. The phrase has, when you consider it, a wonderful pastoral - one might almost say idyllic - ring to it. It conjures up a picture of fat but hungry porcines, all freshly scrubbed, eagerly and gratefully partaking of their warm mash from the horny but kindly hands of the jovial farmer, a twinkling eyed son of the soil.Nothing could be further from the truth.The five o'clock swill is the direct result of New Zealand's imbecilic licensing laws. In order to prevent people getting drunk the pubs close at six, just after the workers leave work. This means they have to leave their place of employment, rush frantically to the nearest pub, and make a desperate attempt to drink as much beer as they can in the shortest possible time. As a means of cutting down drunkenness, this is quite one of the most illogical deterrents I have come across.

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My first incident drinking alcohol occurred after a 2-month period in which I stole wine coolers and beers from my parents and hid them in different places around my room. I was 14 years old, in eighth grade. I invited a friend over one night after I had stolen enough. After 2 wine coolers the friend interrupted me, saying, "Hold on," and vomited into a trash can. I vomited a lot into the toilet. The next day, like a dumbass, I put the empty wine cooler and beer bottles in our outside garbage bin without trying to cover them. My dad caught me as a result, but hid it from my mom for unknown reasons.

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A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies.At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")

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Vladimir Nabokov

American Fantastic Tales: Terror and the Uncanny from the 1940's Until Now