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characters

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I write about scoundrels; my specialty is generally scoundrels. If somebody's done a bad thing, I just talk about it. I don't prettify it or anything. My characters, a lot of them are disgusting _ what they've done in the past. Somebody described them once as "last-ditch attempts at justification." And sometimes that's what my characters or my personae are doing: they're saying, "Yes, I did this and that thing, and perhaps it was evil. It was bad _ maybe it wasn't even evil _ but this is why I did it. You don't know the circumstances surrounding it." And this is the telling; they're almost retelling what happened from their point of view .... I use "bad words" whenever I feel the need, you know, I just put 'em in there _ if it's true to my character. I always like to think that I'm doing things that are true to my charcter. And I hope that, when I'm dealing with violence, for example, that it's not gratuitous, that it's coming out of character that requires that .... I usually start with character, rather than a concept or an idea. If I do want to deal with an idea, I must create a character, in order to work from there, from that angle.

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Stephen King started to read comics first, I started to watch films and little reading books...Now everything has changed Stephen King reads books and watch films, I read comics, watch films, read books listen to audiobooks...This are two different stories, you were challanged to open them, good job you open them now but can you try to start a new life??To start by opening a new book??Meeting with new characters??With new writers??With one new book which has a story which you haven't heard??Probably, you aren't still ready!

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One likes to think that there is some fantastic limbo for the children of imagination, some strange, impossible place where the beaux of Fielding may still make love to the belles of Richardson, where Scott__ heroes still may strut, Dickens__ delightful Cockneys still raise a laugh, and Thackeray__ worldlings continue to carry on their reprehensible careers. Perhaps in some humble corner of such a Valhalla, Sherlock and his Watson may for a time find a place, while some more astute sleuth with some even less astute comrade may fill the stage which they have vacated.

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What's real and what's not? People we meet in books--Holden Caulfield, Captain Ahab, Huckleberry Finn, Harry Potter, Bilbo and Gandalf and Frodo-- can become more memorable, and more important to us than people with birth certificates and drivers' licenses. Characters spawned in an author's imagination find a home inside us. They make our lives richer. They become our best friends. They never disappoint. And they never die.

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Hard and cruel though it may seem," said the Cardinal, "yet we, who hold our high office as keepers and watchmen to the story, may tell you, verily, that to its human characters there is salvation in nothing else in the universe. If you tell them -- you compassionate and accommodating human readers -- that they may bring their distress and anguish before any other authority, you will be cruelly deceiving and mocking them. For within our whole universe the story only has authority to answer that cry of heart of its characters, that one cry of heart of each of them: 'Who am I?