I read not so long ago about the construction of a large telescope in Chile's Atacama Desert, where rainfall can average a millimetre a year and the air is fifty times as dry as the air in Death Valley. Needless to say, skies over the Atacama are pristine. The pilgrim astronomer ventures to the earth__ ravaged reaches in order to peer more keenly at other worlds, and I suppose the novelist is up to something similar.
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Passionate attraction to someone of the opposite sex will make a hero or a fool of a novelist each time.
To be motivated to write a novel, I need to be unable not to write.
After finishing 1st draft of a novel, I have the characters, dialogue, scenes, and a plotline. I used to think this meant I knew where the story was going, and what the book was about.I have learned over the years, this ain__ so.As I work through its 2nd draft, characters start to nudge each other. The story itself takes its first soft and shallow breath, and one could imagine he hears a little bit of a heartbeat. Passions deepen, and emotional threads start to weave through what had earlier just been little more than a sequence of events.On the 3rd run through, the characters stand tall. Some break free of my earlier concepts of what they were all about, what they wanted, how they related to each other, and where they were going.From then on, THEY set the pace, and I do my best to honor them in becoming what THEY choose to be.From then on, my friends; we have a story!By the end of the 3rd draft, I have enough of an idea of where the characters are going, and how their passions empower the story, or tear it apart, that I can start cutting away, and cutting away, anything that isn__ that.Until we reach the point where there is not a single word left anywhere in the book, that isn__ a vital, dynamic, organic contributor to the living whole.
No poet or novelist wishes he was the only one who ever lived, but most of them wish they were the only one alive, and quite a number believe their wish has been granted.
I believe that all novels, ... deal with character, and that it is to express character _ not to preach doctrines, sing songs, or celebrate the glories of the British Empire, that the form of the novel, so clumsy, verbose, and undramatic, so rich, elastic, and alive, has been evolved ... The great novelists have brought us to see whatever they wish us to see through some character. Otherwise they would not be novelists, but poet, historians, or pamphleteers.
It is true that novelists are shameless and obey no decent law, and they are not to be trusted on any account, but some Mysteries even they must honor.
But the other Ministers considered that to employ a magician was one thing, novelists were quite another and they would not stoop to it.
Grabbing readers by the imagination is a writer's job.
Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists.
As it is I'm a dated novelist, whom hardly anybody reads, or if they do, most of them don't understand what I am on about. Certainly I wish I had never written Voss, which is going to be everybody's albatross.
He had entered another imaginative world, one connected to the beginning of his life as a writer, to the Napoleonic world that had been a lifelong metaphor for the power of art, for the empire of his own creation He began to dictate notes for a new novel, "fragments of the book he imagines himself to be writing." As if he were now writing a novel of which his own altered consciousness was the dramatic center, he dictated a vision of himself as Napoleon and his own family as the Imperial Bonapartes....William and Alice he grasped with his regent hand, addressing his 'dear and most esteemed brother and sister.' To them, to whom he had granted countries, he now gave the responsibility of supervising the detailed plans he had created for 'the decoration of certain apartments, here of the Louvre and Tuileries, which you will find addressed in detail to artists and workment who take them in hand.' He was himself the 'imperial e
Novelists congratulate themselves on their creation of this kind of __haracter_ or that kind of __haracter,_ and readers pretend to talk knowingly about __haracter,_ but all it amounts to is that the writers are enjoying themselves writing lies and the readers are enjoying themselves reading lies. In fact, there is no such thing as character, something fixed and final. The real thing is something that novelists don__ know how to write about. Or, if they tried, the end result would never be a novel. Real people are strangely difficult to make sense out of. Even a god would have his hands full trying.
Novelists are basically inviting their readers to play a game of pretend. That's what fiction is: a game of pretend.
I am certain that a novelist is someone who attributes a different reality-value to the characters and events of his story than to those of 'real' life. A novelist is someone who confuses his own life with that of his characters.
Like most novelists, I like to do exactly the opposite of what I'm told. It's in my nature as a novelist. Novelists can't trust anything they haven't seen with their own eyes or touched with their own hands. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)
It eases my soul that I share a house with [Cassandra King] a novelist of such rare and distinctive gifts.
A novelist can__ be without a kimono and pen!(Shigure)