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20th-century

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This scene expresses the basic situation of immaturity; lyricism is an attempt to face that situation: the individual expelled from the protected enclosure of childhood wishes to enter the world, but at the same time, because he is frightened of it, he fashions an artificial replacement world out of his own verse. He makes his poems revolve around him like the planets around the sun; he becomes the center of a small universe in which nothing is alien, in which he feels as much at home as a child inside its mother, for everything here is fashioned only from the substance of his soul. Here he can accomplish everything that is so difficult "outside;" here he can, like the student Wolker, march with a proletarian crowd to make a revolution and, like the virginal Rimbaud, lash his "little girlfriends" because that crowd and those girlfriends are not fashioned out of the hostile substance of an alien world but out of the substance of his own dreams, and they are thus he himself and do not shatter the unity of the universe he has constructed for himself.

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He believed the press was doing its job, but, in the absence of candor from the committee, it had reached unfair conclusions about some people. Sloan himself was a prime example. He was not bitter, just disillusioned. All he wanted now was to clean up his legal obligations - testimony in the trial and in the civil suit - and leave Washington forever. He was looking for a job in industry, a management position, but it was difficult. His name had been in the papers often. He would not work for the White House again even if asked to come back. He wished he were in Bernstein's place, wished he could write. Maybe then he could express what had been going through his mind. Not the cold, hard facts of Watergate necessarily - that wasn't really what was important. But what it was like for young men and women to come to Washington because they believed in something and then to be inside and see how things worked and watch their own ideals disintegrate.

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Bernstein was impressed by Sloan's thoughtfulness. Sloan seemed convinced that the President, whom he very much wanted to see re-elected, had known nothing of what happened before June 17; but he was as sure that Nixon had been ill-served by his surrogates before the bugging and had been put in increasing jeopardy by them ever since. Sloan believed that the prosecutors were honest men, determined to learn the truth, but there were obstacles they had been unable to overcome. He couldn't tell whether the FBI had been merely sloppy or under pressure to follow procedures that would impede an effective investigation. He believed the press was doing its job, but, in the absence of candor from the committee, it had reached unfair conclusions about some people. Sloan himself was a prime example. He was not bitter, just disillusioned. All he wanted now was to clean up his legal obligations - testimony in the trial and in the civil suit - and leave Washington forever. He was looking for a job in industry, a management position, but it was difficult. His name had been in the papers often. He would not work for the White House again even if asked to come back. He wished he were in Bernstein's place, wished he could write. Maybe then he could express what had been going through his mind. Not the cold, hard facts of Watergate necessarily - that wasn't really what was important. But what it was like for young men and women to come to Washington because they believed in something and then to be inside and see how things worked and watch their own ideals disintegrate.

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In the twentieth century nothing can better cure the anthropocentrism that is the author of all our ills than to cast ourselves into the physics of the infinitely large (or the infinitely small). By reading any text of popular science we quickly regain the sense of the absurd, but this time it is a sentiment that can be held in our hands, born of tangible, demonstrable, almost consoling things. We no longer believe because it is absurd: it is absurd because we must believe.

JC
Julio Cortázar

Around the Day in Eighty Worlds

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Never shall I forget that night, the first night in camp, that turned my life into one long night seven times sealed.Never shall I forget that smoke.Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky.Never shall I forget those flames that consumed my faith forever.Never shall I forget the nocturnal silence that deprived me for all eternity of the desire to live.Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes.Never shall I forget those things, even were I condemned to live as long as God Himself.Never.

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The degeneration of the revolution in Russia does not pass from the revolution for communism to the revolution for a developed kind of capitalism, but to a pure capitalist revo­lution. It runs in parallel with world-wide capitalist domination which, by successive steps, eliminates old feudal and Asiatic forms in various zones. While the historical situation in the seventeenth, eighteenth and nineteenth centuries caused the capitalist revolution to take liberal forms, in the twentieth century it must have totalitarian and bureaucratic ones.

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But it doesn't happen that way, I keep telling myself knowingly and sadly. Only in our fraternity pledges and masonic inductions, our cowboy movies and magazine stories, not in our real-life lives. For, the seventeenth-century humanist to the contrary, each man is an island complete unto himself, and as he sinks, the moving feet go on around him, from nowhere to nowhere and with no time to lose. The world is long past the Boy Scout stage of its development; now each man dies as he was meant to die, and as he was born, and as he lived: alone, all alone. Without any God, without any hope, without any record to show for his life.("New York Blues")

CW
Cornell Woolrich

Night and Fear: A Centenary Collection of Stories by Cornell Woolrich