walking-dead

Vampire strength might not let me lift cars, but I will tear up some shrubbery all day long.

Albert died in an unfortunate accident sometime ago and was raised as a zombie by his amateur necromancer friend, Neil. Bubba was a new friend we had acquired in Vegas when helping him gain back the freedom he had previously gambled away. The fourth member of our group, a government agent and my girlfriend named Krystal, was out of town for work this week, thus I was conducting my first weekly scrabble tournament with just the three of us. Which leaves only me to be accounted for in the explanation. My name. which I hope you know by now. is Frederick Frankford Fletcher and I am a vampire, though still not the type that inspires swooning or terror.

You__e a good man who happens to be a vampire. We aren__ human, but that doesn__ make us monsters.

But no matter what happens to the surviving humans, there will always be the walking dead.

Explosive Pandemic-type zombies mostly spread the contagion through wounding or biting humans, and in that way, the increase their numbers. Because they multiply so quickly and explosively, they can destroy all human civilization in a very short time. For this reason, will refer to them as Explosive Pandemic-type zombies. The person responsible for Explosive Pandemic-type zombies is none other than George A Romero, who created them in 1968 Night of the Living Dead.

He was drop-dead gorgeous and I, well I was just ... dead." (Tera Hightower, Dead Chick Walking)

Mother Fuckers. They're going to feel pretty stupid when they fin

The glove comes off, flops loosely over, and there's suddenly horror beating into his brain, smashing, pounding, battering. He reels a little in his chair, has to hold onto the edge of the table with both hands, at the impact of it.A clawlike thing - two of the finger extremities already bare of flesh as far as the second joint; two more with only shriveled, bloodless, rotting remnants of it adhering, only the thumb intact, and that already unhealthy-looking, flabby. A dead hand - the hand of a skeleton - on a still-living body. A body he was dancing with only a few minutes ago.A rank odor, a smell of decay, of the grave and of the tomb, hovers about the two of them now.A woman points from the next table, screams. She's seen it, too. She hides her face, cowers against her companion's shoulder, shudders. Then he sees it too. His collar's suddenly too tight for him.Others see it, one by one. A wave of impalpable horror spreads centrifugally from that thing lying there in the blazing electric light on O'Shaughnessy's table. The skeleton at the feast! ("Jane Brown's Body")