writing-books

In order to protect their good names for posterity, many writers never wrote what they thought or the truth as it stood. That's why truth still lies hidden in matters of power, sex and religion. No wonder they chose to do so, many who dared paid with their heads

... the reader is probably wondering that if Tolkien did indeed fashion two of his heroic characters from Catholic prophecies, what about the evil protagonists? Were any of them inspired by these little-known revelations concerning future times? The answer is yes, but to discover the links between the myth and the prophecies, we must venture not only into the realm of unnerving revelations, but also into the murky world of secret sects, dark plots, occult signs, bloody revolutions and conspiracy theories ~ we must probe deep into the burning Eye of Sauron.

Tolkien did admit that, 'As a guide, I had only my own feelings for what is appealing or moving.' In other words ~ he wrote about what interested him ~ and despite his protestation of including anything allegorical into his tale, Catholic history and mystic prophecy obviously received its fair share of attention ...

One author said "I write because I want to live a footprint in the sands of history._ It's hard to live a footprint in the sands of history when giants are passing through the same sands unless you are one of the giants

I am not a supporter of burning books; but like poison, some books should be kept away from simple minds who can't take in the strong content they provide

I used to be afraid about what people might say or think after reading what I had written. I am not afraid anymore, because when I write, I am not trying to prove anything to anyone, I am just expressing myself and my opinions. It__ ok if my opinions are different from those of the reader, each of us can have his own opinions. So writing is like talking, if you are afraid of writing, you may end up being afraid of talking

If typos are God's way of keeping a writer humble, plot holes certainly keeps one on their knees.

I find it quite intriguing that the one observing me as different, immediately assumes that there's something wrong with me, but never, not even for one instant, questions the possibility of the opposite. It's truly amazing that the ones with more certainties, the most arrogant and the most selfish, are indeed the most stupid inside society. They are so dumb and ignorant that they can't see a writer in front of their nose. And the more the writer types, talks and thinks, the more they think that this separation, this difference, grants them some form of superiority. Indeed, the light pushes demons into hell. The brighter your light, the faster you differentiate others. The way of the light was never meant for the weak, which are a majority. And this majority will always ignore the light, as demons fearing and hating angels. And so, it's interesting that without artists God would not have a way to reach the world. And yet, without the ignorant, Satan wouldn't have a way to stop God.

Write It, Work It, Publish

I prefer to be on the side of losers, the misunderstood or lonely people rather than writing about the strong and powerful.

The hard part is putting one word after another.

It's the witching hour once more-When the Muse comes out to play.He calls me through that magic door-Where galaxies of worlds await!

Editors can be stupid at times. They just ignore that author__ intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don__ make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author__ mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, __hoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?_. Monet would be ripping his hair out.

... The Book is more important than your plans for it. You have to go with what works for The Book ~ if your ideas appear hollow or forced when they are put on paper, chop them, erase them, pulverise them and start again. Don't whine when things are not going your way, because they are going the right way for The Book, which is more important. The show must go on, and so must The Book.

The internet is killing the art of writing. The big "publish" button begs you to publish even before you go back and make one single edit, and as if this was not enough, you have instant readers who praise your writing skills!-

I think the reason why I don't read so much, is because as I have observed, whole books all boil down to a drop of essence. You can read a book full of ten thousand words and at the end, sum it up in one sentence; I am more for the one sentence. I am more for the essence. It's like how you need a truckload of roses to extract one drop of rose oil; I don't want to bother with the truckload of roses because I would rather walk away with the drop of rose oil. So in my mind, I have written two hundred books. Why? Because I have with me two hundred vials with one drop of essence in each!

The orator yields to the inspiration of a transient occasion, and speaks to the mob, before him, to those who can hear him; but the writer, whose more equable life is his crowd which inspire the orator, speaks to the intellect and heart of mankind, to all in any age who can understand him.

There is an underlying rhythm to all text. Sentences crashing fall like the waves of the sea, and work unconsciously on the reader. Punctuation is the music of language. As a conductor can influence the experience of the song by manipulating its rhythm, so can punctuation influence the reading experience, bring out the best (or worst) in a text. By controlling the speed of a text, punctuation dictates how it should be read. A delicate world of punctuation lives just beneath the surface of your work, like a world of microorganisms living in a pond. They are missed by the naked eye, but if you use a microscope you will find a exist, and that the pond is, in fact, teeming with life. This book will teach you to become sensitive to this habitat. The more you do, the greater the likelihood of your crafting a finer work in every respect. Conversely the more you turn a blind eye, the greater the likelihood of your creating a cacophonous text and of your being misread.